![]() | |||
| A crowd watches Doomtree perform at First Avenue. (Nate Ryan/MPR) |
Booking, say local pros, is both a science and an art — and like the rest of the music industry, it’s built on relationships. “It’s basically the relationships between the buyer, who would be me,” says Tamsen Preston of Sue McLean & Associates, and booking agents, “who would be the representatives of the artists.”
Most touring bands work with booking agents: people whose job it is to help the artists maximize their financial success on the road while also helping to ensure that the shows are accessible to fans in terms of ticket prices, location, and atmosphere. “We discuss different artists [that agents] represent, what they’re looking for coming through the market,” says Preston. “My job is to try to find the [type of] venue that they’re looking for.”
Booking agents work with local bookers — also known as talent buyers — in each market: people who are in a position to cut a deal for a band to play a particular venue on a particular date for an agreed-upon sum. Many bookers represent venues directly; in other cases, bookers represent promoters (like Sue McLean & Associates) that contract separately with the venues.
Agents, explains Eli Flasher of First Avenue, “will reach out and say, ‘Hey, I’ve got so-and-so band coming through your market on these five dates, this time frame.’ We go back and forth on an offer, and then settle on a date that works for both parties.”



