Never too Young to Rock ‘n’ Roll: The Third Grade Punk of "Old Skull"

There’s been much ado—countless articles, TV appearances galore,  a whole movie even—about pre-teen rockers Unlocking the Truth. Which is fine and all, but what if I told you there was another band, decades before, that were even younger, sold more records, toured extensively, and rode a wave of minor rock fame all the way to high school?

It’s true. And if Unlocking the Truth knew what happened to ‘em after the band broke up—a saga much grimmer than your average episode of VH1’s Behind the Music—they’d find new hobbies. Old Skull formed in Madison, Wisconsin when a couple of punk rock dads—Vern Toulon (Missing Foundation) and Robin Davies (Tar Babies)—decided to recruit their sons into the lucrative world of indie-rock. Toulon’s kids JP and Jamie handled guitar/vocals and keyboards respectively, and Davies’ stepson JP pounded the skins. They “wrote” songs about hot dogs and AIDS (most people assume Toulon senior composed the music, but the truth is lost in the mists of time) and bashed ‘em out with impressive energy, if not finesse. Which was fine, I mean, it was hardcore punk made by kids who were in the third-grade.

Your Guitar Is Not Really A Guitar - Captain Beefheart

Knowledge is power. The better you can grasp the concept of where artistry resides within yourself, the easier it may be to tap that energy resource. Have a read on what Captain Beefheart thinks when it comes to artful sounds of a guitar.

Link to original post about Captain Beefheart

Ten Commandments of Captain Beefheart

"Captain Beefheart hired Moris Tepper to be his full-time guitarist in 1976, a position he held until the Captain’s retirement in 1982. Along the way he imparted these handy guitar tips:

1. Listen to the birds.
That’s where all the music comes from. Birds know everything about how it should sound and where that sound should come from. And watch hummingbirds. They fly really fast, but a lot of times they aren’t going anywhere.

2. Your guitar is not really a guitar.
Your guitar is a divining rod. Use it to find spirits in the other world and bring them over. A guitar is also a fishing rod. If you’re good, you’ll land a big one.

3. Practice in front of a bush.
Wait until the moon is out, then go outside, eat a multi-grained bread and play your guitar to a bush. If the bush doesn’t shake, eat another piece of bread.

4. Walk with the devil.
Old Delta blues players referred to guitar amplifiers as the “devil box.” And they were right. You have to be an equal opportunity employer in terms of who you’re bringing over from the other side. Electricity attracts devils and demons. Other instruments attract other spirits. An acoustic guitar attracts Casper. A mandolin attracts Wendy. But an electric guitar attracts Beelzebub.

5. If you’re guilty of thinking, you’re out.
If your brain is part of the process, you’re missing it. You should play like a drowning man, struggling to reach shore. If you can trap that feeling, then you have something that is fur bearing.

6. Never point your guitar at anyone.
Your instrument has more clout than lightning. Just hit a big chord then run outside to hear it. But make sure you are not standing in an open field.

7. Always carry a church key.
That’s your key-man clause. Like One String Sam. He’s one. He was a Detroit street musician who played in the fifties on a homemade instrument. His song “I Need a Hundred Dollars” is warm pie. Another key to the church is Hubert Sumlin, Howlin’ Wolf’s guitar player. He just stands there like the Statue of Liberty—making you want to look up her dress the whole time to see how he’s doing it.

8. Don’t wipe the sweat off your instrument.
You need that stink on there. Then you have to get that stink onto your music.

9. Keep your guitar in a dark place.
When you’re not playing your guitar, cover it and keep it in a dark place. If you don’t play your guitar for more than a day, be sure you put a saucer of water in with it.

10. You gotta have a hood for your engine.
Keep that hat on. A hat is a pressure cooker. If you have a roof on your house, the hot air can’t escape. Even a lima bean has to have a piece of wet paper around it to make it grow.

Let’s see whether Tepper absorbed the precepts, shall we? Here’s the Captain and the Magic Band playing “Hot Head” and “Ashtray Heart” on Saturday Night Live, November 22, 1980, hosted by Malcolm McDowall:"



(via Lists of Note)