Showing posts with label Eric Clapton. Show all posts
Showing posts with label Eric Clapton. Show all posts

Wednesday, November 23, 2011

Rolling Stone’s Greatest Guitarists List

What do yall think of the Greatest Guitarist list created by the folks at Rolling Stone? Here is commentary by Daniel Kreps over at Yahoo Music's Amplifier Blog speaking on it below. Personally we would dig seeing Dimebag from Pantera much higher up on the list instead of at #92. We know that if his life wasn't cut short by a mentally disturbed individual he would have shredded his way higher up that list. For you Dimebag, thanks for the memories.



Paul Natkin/WireImage.com

There's nothing like a good list to spark a little debate among music fans. Today, Rolling Stone unveiled their newest 100 Greatest Guitarists of All Time list, and while there should be no complaints about who's Number One, the ranking of the other 99 can be disputed. Rolling Stone's list — which was compiled by votes from RS editors as well as bona fide ax-men like Tom Morello, Metallica's Kirk Hammett, Aerosmith's Joe Perry, and many more — measured guitarists by prowess, influence, and innovation.

Rolling Stone did a similar list in 2003, and on both, Jimi Hendrix is Number One, as it should be. In the past eight years, no one has emerged even worthy enough to stand in Hendrix's shadow, so his ranking shouldn't change, ever. He's the G.O.A.T., like Michael Jordan, Nirvana's 'Nevermind', and Dwight Gooden's 1985 season. However, The Amp has some issues with the rest of the rankings, as some guitarists didn't get the recognition they deserved, and others were placed ahead of other rockers who were perhaps more deserving. Here's the mag's Top 10:


1. Jimi Hendrix
2. Eric Clapton
3. Jimmy Page
4. Keith Richards
5. Jeff Beck
6. B.B. King
7. Chuck Berry
8. Eddie Van Halen
9. Duane Allman
10. Pete Townshend

The other 90 are here. Below, let's dive deeper into the list and let the debates begin.
(Note: When we say "Too low," it means the guitarist should be closer to Hendrix.)

Too Low
• Frank Zappa. Jimi is the best, but Zappa is our favorite. He might not have the commercial appeal of the Top 10 guitarists on the Rolling Stone list because of his sardonic, humorous lyrics and complex arrangements, but no one could pump out beautiful, transcendental solos like Zappa, who consistently turned his six-string into a one-man symphony.
Exhibit A, "Inca Roads":


Exhibit B, "Watermelon in Easter Hay":


Number 22 is way, way too low for Zappa, but it's an improvement over the despicable Number 45 placement he received on the 2003 list.

• Prince. The most underrated guitarist of all time. Prince is amazing at pretty much everything he does, so people often forget that he can absolutely wail when someone puts a (weirdly shaped) guitar in his hands. After being completely overlooked on the 2003 Rolling Stone list, Prince lands at Number 33 this time around, but even that is too low for one of the best alive right now. "The Kid is in rare form tonight."

• Bruce Springsteen. The Boss? At Number 96? Sure, Steven Van Zandt and Nils Lofgren carry a lot of the E Street weight, but if it wasn't for Bruce, all those classic riffs never would have been heard.
Too High

• Eddie Van Halen. Despite not releasing an album since 1998, EVH jumped from Number 70 on the 2003 list to Number Eight on this new 100 Greatest Guitarists of All Time. Why the leap? Did Van Halen's talents suddenly multiply exponentially enough to propel him past 61 guitarists? Nah. It's probably no coincidence that Van Halen's rise comes when his namesake band is on the verge of releasing a new album, and that a certain magazine might be trying to get into his good graces by giving him better real estate on the list. (EVH adorns one of the four different RS covers to make the 100 Guitarists list, along with Hendrix, Jimmy Page, and Eric Clapton. Speaking of Clapton…)

• Eric Clapton. There's no denying Clapton is an amazing guitarist. "Clapton is God" used to be graffiti in the streets of London before Banksy came around. Technically, he's a marvel. However, his overall influence on future generations is lacking. We've never met anyone who picked up a guitar because they loved "I Shot the Sheriff." He's like the Tim Duncan of guitarists: Smart, consistent, always gets the job done, wins MVPs and championships, and is among the greatest ever. But kids don't want the Duncan jerseys, they want the Kevin Durant and Blake Griffin jerseys, just like young rockers aspire to be Keith Richards, not Eric Clapton. The Cream/Blind Faith guitarist should definitely be in the Top 10, but not ahead of Jimmy Page (Number Three) and Richards (Four).

• James Burton. Number 19 on the Rolling Stone list, the innovator of the "chicken pickin'" style, a co-writer of "Susie Q"… but who? No doubt Burton had a major impact for future generations, but to put him ahead of legendary guitarists -- like Jerry Garcia (Number 46, down from Number 13 in 2003), George Harrison (Number 21), and Kurt Cobain (Number 73) — is extremely generous.

Just Right:
• Neil Young. After placing Number 83 on the 2003 list, Young climbs to Number 17 on the new list. "If I was ever going to teach a master class to young guitarists, the first thing I would play them is the first minute of Neil Young's original 'Down by the River' solo. It's one note, but it's so melodic, and it just snarls with attitude and anger," Phish's Trey Anastasio says of Young in Rolling Stone. He's right; no one could put more feeling into one single note than Neil.

• David Gilmour. Another of The Amp's favorites, the Pink Floyd guitarist finally gets his due at Number 14 after a cruel Number 82 ranking in 2003. "Comfortably Numb" alone is worth a spot in the Top 50.

The actual voters:
Trey Anastasio, Dan Auerbach (The Black Keys), Brian Bell (Weezer), Ritchie Blackmore (Deep Purple), Carl Broemel (My Morning Jacket), James Burton, Jerry Cantrell (Alice in Chains), Gary Clark Jr., Billy Corgan, Steve Cropper, Dave Davies (The Kinks), Anthony DeCurtis (Contributing editor, Rolling Stone), Tom DeLonge (Blink-182), Rick Derringer, Luther Dickinson (North Mississippi Allstars), Elliot Easton (The Cars), Melissa Etheridge, Don Felder (The Eagles), David Fricke (Senior writer, Rolling Stone), Peter Guralnick (Author), Kirk Hammett (Metallica), Albert Hammond Jr. (The Strokes), Warren Haynes (The Allman Brothers Band), Brian Hiatt (Senior writer, Rolling Stone), David Hidalgo (Los Lobos), Jim James (My Morning Jacket), Lenny Kravitz, Robby Krieger (The Doors), Jon Landau (Manager), Alex Lifeson (Rush), Nils Lofgren (The E Street Band), Mick Mars (Mötley Crüe), Doug Martsch (Built to Spill), J Mascis (Dinosaur Jr.), Brian May, Mike McCready (Pearl Jam), Roger McGuinn (The Byrds), Scotty Moore, Thurston Moore (Sonic Youth), Tom Morello, Dave Mustaine (Megadeth), Brendan O’Brien (Producer), Joe Perry, Vernon Reid (Living Colour), Robbie Robertson, Rich Robinson (The Black Crowes), Carlos Santana, Kenny Wayne Shepherd, Marnie Stern, Stephen Stills, Andy Summers, Mick Taylor, Susan Tedeschi, Vieux Farka Touré, Derek Trucks, Eddie Van Halen, Joe Walsh, Nancy Wilson (Heart)

CONTRIBUTORS: David Browne, Patrick Doyle, David Fricke, Will Hermes, Brian Hiatt, Alan Light, Rob Tannenbaum, Douglas Wolk

Friday, July 22, 2011

Warner Music Group Sold To Access Industries

Back in the day getting signed to a major label meant something. This was long before digital music was ever conceived and we all had a twinkle in our eye about making it big in music. Maybe the sale of Warner Bros. was to escape an impending doom or was it to hedge their bets, we may never know. In all reality, who cares. The major labels are fighting a losing battle and the tide has shifted to favor the smaller and more nimble independent labels who work directly with their artists instead of dictating terms to them. This sale will have an interesting ripple effect and kind of excited to see where it goes and how the pieces will be picked up and re-fit for their current roster which includes Avenged Sevenfold, Built To Spill, Cher, Deftones, Don Henley, Disturbed, Dire Straits, Devo, Eric Clapton, Green Day and many more.

Link to Article on PaidContent.org

Warner Music Group’s sale to Access Industries has been completed for $8.25 per share in cash, or $3.3 billion. The record label’s board approved the deal two weeks ago. 


WMG will be part of Airplanes Music, a division of Access Industries, the diversified business group owned by Russian-American industrialist Len Blavatnik, whose $3.3 billion offer in May represented a 34.4 percent premium over the record label’s average half-year price of $6.14.

The company will remain named and located as is, but Access will take WMG off the stock market. The brief statement about the deal’s closing did not say whether CEO Edgar Bronfman Jr. will stay aboard. As it stands right now, Bronfman is still the head of the company, but again, that could change.


With WMG done, the focus will shift to what will happen with EMI Group, which began exploring a sale in June. Citigroup and Access Industries are both vying for EMI. For Access Industries, the addition of another record label, considering the weak state of the record business, may seem crazy, particularly the premium he paid for WMG. But Blavatnik seems to feel he would be able to find some value after some heavy cost-cutting while continuing to market a roster that so far includes big names like Bruno Mars, R.E.M., Cee Lo Green and Lupe Fiasco. 


In terms of what Blavatnik is getting with WMG, in May, the company reported that Q1 losses grew amid anemic revenue gains. Meanwhile, digital now makes up more than 30 percent of the labels revenues—a combination of the decline of physical CD sales and, to be fair, an reasonably aggressive focus on building up its online and mobile distribution.


WMG is scheduled to have its last quarterly earnings report on Aug. 1, as it is being delisted from the NYSE now that it is operating within a private company. But that Q2 report might or might not happen, though WMG still has bondholders it has to report to, but it’s not clear if that will be done through the standard quarterly report.