Showing posts with label HellRide Music. Show all posts
Showing posts with label HellRide Music. Show all posts

Saturday, June 4, 2011

She Rides - Loud, Raucous & Belligerent Rock N’ Roll

Huge shout out out over to Chris at Hellride Music for the review on She Rides. We know these ocean state fellas are ready for big stages, but does the world know it yet? This year they will have their shot opening up for some huge bands and swaying the masses in their favor. Also be on the lookout for a new track they are working on for a 7" vinyl split with Crank County Daredevils. Both bands are working on a cover song that will sure as hell match their style and make folks turn their heads in a "holy shit" kind of way.

Buy The She Rides ep

"Loud, raucous and belligerent rock n’ roll falls out of my area of expertise. If there isn’t muted e-string chugs and/or occult references, I’m usually at a loss for adequate metaphors, allegories and pith. I have to reach waaaaay back into the medial temporal lobes for appropriate terminology and dusty, long forgotten references.

From the Ocean State, appropriately descended from the first colonials to call bullshit on Britain’s tyrannical grip on New England, come She Rides. Seemingly raucous young fellas full of vim and vigor, their EP Buy The Ticket is one part Iggy & The Stooges, one part MC5, another part ANTiSEEN (who happen to be label-mates) chaos with a tad of Thin Lizzy guitar harmony. Four tracks and a quarter hour steeped in youthful rebellious abandon, irresponsible amounts of alcoholic beverages and violent moshing. It’s fast, loud and insolent, like your neighbor’s ADD-addled kid. And just as obnoxious.

Really, it’s about time Rock n’ Roll tapped into its testicles again. She Rides is a throwback to a golden era of unabashed rebellious music, not the packaged-up, watered-down, mainstreamed innocuous stuff that passes for rock these days. Remember a young Mick and Keith? Or Iggy rolling around on glass? How about pogo-ing to any number of bands on the SST roster? Man, I sound old. Well, it’s true. As loud, dirty and obnoxious as it sounds, She Rides sparks the nostalgic spirit of “Fuck You”-isms deep within my soul. It’s the real deal, and sounds like it" - Chris Barnes 

She Rides - Buy The Ticket by RustyKnuckles

She Rides - Party In The Piss Kitchen by RustyKnuckles







Monday, February 14, 2011

Flat Tires, Freeborn - Reviewed On Hellride Music

We are damn stoked to get such an amazing review of Flat Tires - Freeborn from Hellride Music. Read on...


"Hickory, NC’s leanest, meanest asphalt chompin’ outlaw punks the Flat Tires return with another slab of gritty rock n’ roll action called Freeborn! Every encounter I’ve had with the band’s music always leaves me feeling like I’ve won a brass knuckle clad, ballroom brawl, and was forced to drink a pint of moonshine straight as part of my reward.

This is a bit of a hodgepodge release compiling material from several different places and spaces. You get a couple of new cuts, and a handful of re-recordings culled from a recent studio session, an unreleased demo (“Don’t Shake Me Lucifer”), and a smattering of live favorites; all of which proudly brandish the usual fiery, punk rock guitar abandon, blazing southern rock leads, and filthy Clint Harrison vocal bile which are practically trademarks of the band at this juncture!

The new recordings smoke. Some favorites from the split 7” with Asound resurface (“GD Woman,” and the infectious “Crybaby”), and they are back sporting an even beefier, trouble makin’ tone. “Crybaby” in particular is the band at their absolute best, bulldozing through a whiskey soaked riff after riff attack, with the rhythm section providing a furious drive, as Clint spills out his hooked-filled tales of debauchery (the chorus in this song is as etched into my head as any number of Misfits and Black Flag songs).

As for the new tracks, they rank as some of the band’s fiercest scorchers to date. “Flu” latches onto a fierce boogie from the get go, as the band is seen combining equal parts G.G. and the Animals. It’s a mid-tempo, barnburner that pours some scummy, skuzzy punk overtop of a decidedly southern rock groove. As I once said, if listening to Social Distortion’s stuff is like being stuck in second gear to you, Flat Tires are your salvation (I’m actually a big fan of both, but Social Distortion really tanked themselves on that new record). It’s like someone took Social D’s Somewhere Between Heaven and Hell and pumped it up on amphetamines, and grain alcohol, and then allowed it to wander off blind drunk into one of G.G. Allin's punk rock maelstroms. Killer guitar leads are laced into the band’s punk rock two step, and the chorus on this one is about as filthy as anything Clint’s come up with yet (“You fucking virus, you fucking flu, take a mean, mean shit, I’m fucking done with you,”)!

The title track takes a scabby, rocked out riff, and picks it raw, until the green ooze, and red gush, start leaking out all over the place. The rhythm section stays deep in the pocket, and guitarist Bryon Smallwood snakes in some sizzling, rock cum punk lead work that always spices up the songwriting in just the right places, with Clint set on overdrive throughout. Nothing fancy, nothing complicated, just a good fuckin’ solid punk rock beating from start to finish. Makes me want to take all of the stuff in my room, and throw it out the window all in the name of vicious rock n’ roll and good whiskey!

There’s also plenty of hellfire’s groove fueling the sharp n’ punchy “Two of Three Things,” which turns out to be another instant winner, along with a reworking of “Hypocrite (which appeared on Payin’ Dues…Again). How analytical can I be here? As the riffs collide over the syrupy, pancake thick rhythms, Clint Harrison’s voice beams down like a shining sun… Fuck that! Where there’s music I love, and review that calls for my poetic, can-hammed waxing…a spade is a spade…rock is rock…and the Flat Tires are an ass kicking southern-fried, punk rock boilermaker. While I still might drop a ton of words here (because that’s just the way the fingers work), there’s no disguising the fact that this is a rock band, plain and simple, and they plainly fucking rock, ladies and gents!

Rounding out the disc, a pot luck dinner including the strychnine swilling “Don’t Shake me Lucifer” demo cut, and 4 live tracks that span some of the crème de la crème from the blazing All the Right Enemies… full-length, provides a balanced, and varied diet of rock n’ roll oats. The live tracks from the band are always impeccably recorded, and carry a great deal of the energy over to the recorded medium, making me all the more excited to catch up with the band whenever they stop by Pittsburgh on April 2nd.

Freeborn, is another winning effort from Flat Tires. They’re one of my favorite punk acts currently dishing out the jams, and the excellent mix of fresh, and familiar on this disc will be sure to please the fanatics, and hopefully win over some newcomers in the process. If the new songs were any indication of where the band is headed, I’d say it’s down a path of even more frenzied, boozed-up rock n’ roll raunch. And man…it’s nice to have “GD Woman,” and “Crybaby,” on a format that’s ready for action in my broken down, piece of junk’s CD player. If you haven’t gotten on board yet, what the hell are you waiting for?! The brawl is on, the bottle is open, and rock n' roll beckons thee...let Freeborn lead you to the fray!"

- Jay Snyder




Friday, January 21, 2011

HellRide Music - Joe Buck, Flat Tires Split 7" Review

We never got word that this review came out for the Joe Buck Yourself and Flat Tires Split 7", so read on folks as its a damn good assessment of the record. Also stoked on the review of record as a whole. We pride ourselves on great packaging and that stems from good design and quality illustrations. No janky or half assed shit will ever be produced or released by Rusty Knuckles.

Buy the Joe Buck and Flat Tires Split 7"


Link To HellRide Music for Review




"Common allies in the dirt-merchant rock n’ roll battalion, sleazy renegade country rocker Joe Buck (oft referred to as Joe Buck Yourself) teams up with the rowdy, Hickory punk miscreants Flat Tires, for this slick little piece of translucent blue vinyl. One live cut from each act, and all equivalent to the business end of a sawed-off shotgun.

The performances are spirited and spot-on, the recording quality is top-notch (especially Flat Tires), and the hand drawn artwork for the sleeve is of graphic novel intricacy minus the presence of color. All of these elements combine for a release that is far from the “warmed over leftovers” aspect of some 7” splits. Renegade Kentucky shit hammer Joe Buck is a name I’ve heard for years. He was in the Legendary Shack Shakers, a band I’ve heard of but have never heard. He has played with Hank III, and has attained a cult like status. You can hear it his followers throughout the live recording of “Planet Seeth,” as the crowd is more than willing to get involved with his drunken, rambling vocal spew. There’s an equal helping of punk’s pacing and general fuck you attitude, to go along with the twang-y Southern guitar licks, and you can feel the live energy coming through on the recording.

After all these years he has finally got my attention, and “Planet Seeth” is a keeper through and through that perfectly matches the live version of Flat Tires’ “Drink it Dry (from the All the Right Enemies release)”. Damn do I want to see these NC boys live, as this version of “Drink it Dry” is an amps to 11, balls to the wall display of raucous, barroom brawling Southern punk fury. GG, Black Flag, and Antiseen could all be cited as influences, but FT lays down the gospel with a style and delivery that is 100% their own deal. They nail it here, and continue to prove why I’m a proud banner waver of their particular brand of stinking drunk, down home punk.

This is a short and to the point release showcasing the live fury of each of these bruisers. You can smell the sweat, taste the beer, and have your ears ring all in the comfort of your very own domicile. No punches pulled, no chins left without a fist mark, and not an ounce of pretense to be found anywhere. Best served with a glass of 101 proof Wild Turkey, and two packs of Reds."

- Jay Snyder