We are amused to no end when folks talk on how there is no good music anymore or how rock n' roll is dead. Clearly they are a bit jaded or like many have had a hard time finding new music that they can get into. Luckily we are living in a time with a boundless amounts of great music, ya just have to know what rock to look under.
This is no easy task, as everywhere you turn, social media is popping up in new and different ways beckoning you to listen to this, sign up for that and most of all participate in some new site that will change the way you listen to music. Well, supposedly that is what their advertising is trying to make happen. We check out many of these resources to see what the skinny might be, but our top routes for finding new bands is to listen to internet radio stations, spelunk on spotify and itunes, get referrals from friends and certainly most important, get out to shows to see bands live.
Dive into the article below from Billboard magazine and read up one of the most diehard music fans and true originators in modern music today. Down to earth individuals such as Dave Grohl only come along every so often so do yourself a favor and go see them live. The Foo Fighters live show is damn near incendiary and proves that pure talent, enthusiasm and great song writing, clearly are the true school of rock.
Oh yeah Dave, please bring back PROBOT!!!!!!!!!!!!!!
Link to original article on Billboard.com
"After 17 years spent lurking on the fringes of rock superstardom,
Foo Fighters
now find themselves, in many ways, leading the charge for a
resurgent modern rock scene. 2011 was reaffirming year for the Foos
on many fronts, driven by
the success of the band's critically-lauded seventh studio album, "Wasting Light" -- and the blowout global tour and
six Grammy noms, including Album of the Year, that followed.
 |
| Dave Grohl of the Foo Fighters killing it a Lollapalooza in 2011 |
As
he reflects on what he calls "the best year of his life," the Foos'
Dave Grohl weighs in with Billboard on the health of rock'n'roll,
what's wrong with the music business, and why these "five dorks"
might just actually represent something bigger than just a simple
band.
Congrats on a hell of a year.
Grohl:
It's been a good one, 2011 was very good to me. I was at a New
Year's Eve party and someone asked me how was my year, and I said I
honestly think 2011 was the best year of my entire life, and I
actually meant it.
You and the Foos were in the thick of it all year, so what's your take on the health of rock?
There's
always gonna be rock'n'roll bands, there's always gonna be kids
that love rock'n'roll records, and there will always be rock'n'roll.
I travel all over the world and play music, and it's easy to think
rock'n'roll has gone away when you're in a country like America. We
just got back from a trip Down Under, we did a tour of Australia and
New Zealand where we were pulling 40,000-50,000 people a night,
selling out stadiums. To me, that means rock'n'roll is alive and
well. The thing that will never go away is that connection you make
with a band or a song where you're moved by the fact that it's real
people making music. You make that human connection with a song
like "Let It Be" or "Long and Winding Road" or a song like "Bohemian
Rhapsody" or "Roxanne," any of those songs. They sound like people
making music.
In America, rock'n'roll isn't in
the forefront of the mainstream as it is the rest of the world.
England is another country where rock bands are hugely successful:
You hear them on the radio, they have hits and play stadiums, and
it's almost like it's bigger than it's ever been. But for whatever
reason, here in America there's not as much focus on rock'n'roll
bands. I don't know what it is, but it's one of the few countries in
the world where rock'n'roll is not huge.
Is this discussion something you've had with the band and your team?
No.
One of the reasons why we're still a band and we still make albums
and we're still successful is we don't pay attention to any of that.
We have our own studio, our own label, and we do everything on our
own terms. To us the most important thing is we're satisfied within
the band, and once we finish making a record we give it to the rest
of the world. But we've always lived within this beautiful bubble
that is the Foo Fighters. You can't pop it, you can't change what we
do, because we try to keep it entirely real and pure. We've seen
lots of trends come and go -- nu metal, skinny ties -- and we just
kept our heads down and done our thing for so long that none of
that really matters, and ultimately what happens is we end up making
albums people connect to because they're real records.
"Right now, the current musical climate is not unlike it was back in
1991, right before Nirvana got popular"
But
no, it's never been an issue. For years, usually about once a year,
you have a rock band that comes out and says, "We're gonna save
rock'n'roll," and then you'll read an article asking, "Is Rock
Dead?" It's never gone away in my world. Ask the guys in AC/DC
whether they think rock'n'roll is dead.
Because
you have things like "American Idol" and you've got radio stations
that play music made entirely by computers, it's easy to forget
there are bands with actual people playing actual instruments that
rock. For the fans, I don't think it's gone away at all. I don't
know too many people that give up listening to rock'n'roll. It's
seems to be fucking alive and well.
When
you come out of your "bubble" and deliver these massive hits,
does it surprise you that radio gets behind it and people respond
the way they do?
You have to
understand, we're a really simple band. We think we suck and we try
really hard to make good records and we practice. We don't feel like
the biggest, best band in the world. We just feel like the same
five dorks that were touring in a van 17 years ago, that hasn't
changed. But there was a time about 10 years ago when we would get
asked to come play an awards show or a radio festival or something
like that and we'd show up and be the only rock band. Here we're on a
bill with pop artists like Pussycat Dolls or some new rapper and
then we get up and beat the shit out of our instruments. And I
started wondering, "Why are we even here?" I wondered if they just
needed a "rock band" -- "Who's a rock band? Call the Foo
Fighters." Then I started thinking maybe we actually represent
something to people, maybe when they hear the name "Foo Fighters"
they just think rock'n'roll, and I thought, "Wow, that's cool." Then
over the years playing shows I'd look out at the audience and see
kids with Nirvana shirts and their parents with Foo Fighters shirts
-- which seems upside down -- and I'd see moustaches and kids at
their first rock concert. Our audience became so diverse I thought,
"Man, they just want to see a rock show." Go see Bruce Springsteen.
Go see Tom Petty, AC/DC, Roger Waters, any of these people. Go see
Pearl Jam or Soundgarden. I went to see Soungarden four or five
months ago; I didn't stand in the VIP section, I ran down and got
crushed in front of the stage and danced around sweaty with a bunch
of people I didn't know for an hour and 45 minutes.
I
don't think there's anything wrong with rock at all. It's
overlooked. And right now, the current musical climate is not unlike
it was back in 1991, right before Nirvana [Grohl's former band] got
popular. The late '80s was full of over-produced pop that kids had
nothing to grab hold of -- they had no way of connecting to this
hair metal band singing about fucking strippers in a limousine on
Sunset Boulevard. Who can relate to that? Then you had a bunch of
formulaic pop songstress bullshit, and music was boring. And then a
bunch of bands with dirty kids got on MTV and rock'n'roll became
huge again. And I feel like that's about to happen. Something's got
to give. It can't be song contests on television for the rest of
our lives. It can't be the same playlists on every radio station
for the rest of our lives. It can't be music made entirely by
computers with people talking over it the rest of our lives. It
can't go that way, it just won't.
I feel like as
a musician and a part of this rock'n'roll scene, I have a
responsibility to make shit real, to not think about all of that
other bullshit, not think about making music for money or promoting
music for fashion, the contests. My responsibility is to make shit
that's real. Once you start doing the right thing, it will get
better.
Someone asked me recently, "What do you
think the problem with the music industry is?" I said, take the
Adele record, for example. It's an amazing record and everybody's so
shocked that it's such a phenomenon. I'm not. You know why that
record's huge? Because it's fucking good and it's real. When you
have an artist singing about something real and she's incredibly
talented, it deserves all the rewards it gets, it's a great record.
Now imagine if all records were that good. Do you think only one of
them would sell? Fuck no! All of them would. If all records were
that good the music business would be on fire, but they're not. A
lot of people are promoting records that are just
throw-it-against-the-wall-see-if-it-sticks meaningless bullshit.
Everybody has the responsibility to do the right thing and promote
artists that mean something."
