Hellbound Glory Voted In Top Albums Of 2011 By Engine 145

Leroy, Frank and Rico of Hellbound Glory have done it again. They are in another year end best of list and are now being touted by roots music publication Engine 145, in their 2011 best of list. Check out the full post below from their site.

Engine 145 2011 Best Of List

Best Albums of 2011: #10-1
10. Sunny Sweeney – Concrete
Rooted in traditional country, Sunny Sweeney’s sophomore album is slick enough for contemporary, as she netted her first Top 10 single with “From a Table Away.” Sweeney’s taken a big step with her songwriting since debut record Heartbreaker’s Hall of Fame, co-writing seven of Concrete’s ten tracks with talent like Radney Foster and Brennen Leigh (the latter co-wrotethe stellar “Amy,” written from the perspective of the other woman). That skill, combined with her voice, which sounds like a Miranda Lambert-Natalie Maines hybrid, means Sweeney’s got a bright future ahead of her, especially if she can capitalize on her foothold on radio.

9. The Dirt Drifters – This is My Blood
Despite what country radio says, rural living is hard. Blue collar life can be grueling at times, and sometimes, back roads are just dirty. The Dirt Drifters understand. This five-piece band infused their music with a real life perspective of back-breaking work that is equal parts of pride and grit. They backed it with tons of musical energy and gave away 30,000 copies of the album during their live shows this year.

8. Vince Gill – Guitar Slinger
Following up on a tour de force project like These Days is no easy task, but if anyone’s up to the task, it’s Vince Gill. On Guitar Slinger he covers a wide variety of country styles, even dabbling into soul and R&B, with typical Gill finesse. Make sure to give a listen to murder-suicide song “Billy Paul,” which features backing vocals from Gill’s preteen daughter. Read Ken Morton, Jr.’s review here.

7. Various Artists – This One’s for Him: Songs of Guy Clark
Tribute records tend to be hit or miss. This double-disc collection is strictly the former. With a roster overflowing with talent and material that any songwriter would give a kidney for, it’s the best country music tribute album since the salute to the Louvin Brothers, Livin’ Lovin’ Losin’. Radney Foster’s magnificent version of “L.A. Freeway” in particular stands out, but you’d be hard-pressed to find a song that isn’t worthy of being placed on “repeat.” Read Sam Gazdziak’s feature on Guy Clark here.

6. Hellbound Glory – Damaged Goods
We can’t get enough of these guys and their brand of “scumbag country.” The Reno-based band’s third album is their most mature work to date, with top-notch, Haggardian songwriting from Leroy Virgil and a ragged, addictive sound that’s got the ability to gain a few fans on the mainstream side of the country music aisle.


5. Chris Young – Neon
Young ditched a longtime companion, his cowboy hat, for the album cover, but his country influences can still be found in the music. From the touching sentiment found on the father-son song “Flashlight” to the “weekend on the rocks [and] an old school jukebox” of the title track—which is arguably the best song Young has ever recorded—Neon is a solid collection of music from one of country’s most talented young stars. Read Juli Thanki’s review here.

4. Hayes Carll – KMAG YOYO (& Other American Stories)

Whether he’s growling out fierce country rockers like “Stomp & Holler” or twanging through minimalist banjo tunes like “Bye Bye Baby,” this Americana A-lister can captivate a crowd like few others. KMAG YOYO harnesses that live energy on several standout songs, most notably the “Subterranean Homesick Blues” flavored, hallucinatory title track and the hilarious, “opposites attract” duet with Cary Ann Hearst, “Another Like You.”

3. Matraca Berg – The Dreaming Fields
It had been nearly 12 years between Berg albums. The Dreaming Fields was more than worth the wait. “You and Tequila,” co-written with Deana Carter, got the lion’s share of attention in 2011 thanks to Kenny Chesney and Grace Potter’s recording, but it’s just one in a collection of 11 stellar songs; from the piano-laced title track about the death of the family farm (which also appeared on Trisha Yearwood’s Heaven, Heartache, and the Power of Love) to the bluesy, hard-edged other woman tale “Your Husband’s Cheating on Us,” Berg proves why she’s one of the best singer-songwriters in country and roots music. Oh, Matraca. Don’t ever leave us again.

2. Miranda Lambert – Four the Record
Four the Record was one of our most anticipated records of 2011, and Miranda didn’t disappoint. She effortlessly covers a lot of musical ground here, from the rocking “Fastest Girl in Town” to the fuzzy, bluesy-sexy “Fine Tune,” to straight up country on “Dear Diamond,” which is one of the best songs she’s written to date. Well-chosen covers of songs by Gillian Welch and Brandi Carlile round out another solid outing. Read Karlie Justus’ review here.

1. Pistol Annies – Hell on Heels
Turns out the best things do come in threes: Ashley Monroe, Miranda Lambert, and Angaleena Presley made our year with a debut record full of impeccable writing, and toe-tapping arrangements. Let’s hope that the Annies’ New Year’s resolution is to put out another record ASAP. Read Karlie Justus’ review here.

Hellbound Glory featured on Engine 145's, 2011 Best Of List

Hellbound Glory, Damaged Goods Reviewed On Engine 145

Check it out, another review coming in already for Hellbound Glory's - Damaged Goods. This one is from Engine 145.

Link directly to the review on Engine 145

"Hellbound Glory just keeps getting better. The Reno-based, self-professed purveyors of “scumbag country” have delivered an album that’s a little smoother around the edges than their previous two releases. Unlike debut release Scumbag Country and last year’s solid Old Highs and New Lows, there is little percussion on the ten song record, but the gravel-voiced frontman Leroy Virgil is in fine, ragged form throughout, snarling “Hey there, bouncer, hit me as hard as you want/This ain’t my first fight in a bar parking lot” on “’Til the Lights Go Out” and spinning stories of hard living and hard luck. 

It’s not all bar fights and bastard children, though. Virgil shows off his witty side with “She Left Me in Modesto,” a likeable tale reminiscent of the story found on Clint Black’s 1998 single “Nothin’ but the Taillights,” but with one important twist: “She might have stole my beat-up truck/But I’ve got her credit card.” Though there are no references to dirt roads or any of the other “countrier than thou” signifiers that make up countless contemporary hits, with some slicked-up production and the easy charm of a radio darling like Brad Paisley behind the microphone, “Modesto” would zoom up the mainstream charts thanks to an arrangement tailor made for steering wheel drumming and the aforementioned “twist” ending cooked up by Virgil, who is arguably the most underrated songwriter in roots music these days. His ability to turn a phrase is far beyond his years, and when his words are paired with hook-heavy arrangements, it makes for a supremely enjoyable album. There isn’t a skippable song to be found on the too-short record (it clocks in at a shade over thirty minutes), but if there’s one that demands repeated listening, it’s tough-love tune “You Better Hope You Die Young,” which finds Virgil delivering harsh truths: “You can live your whole life just like there’s no tomorrow/But, baby, here’s a fact/That all them all-nighters are all just time you borrowed/Someday you’ll have to pay them back.”

Its readily apparent musical influences Johnny Paycheck and Merle Haggard will endear this album to fans of ’60s and ‘70s honky tonk, but it’s also raw enough for the alt-country and the Shooter Jennings-helmed XXX movements, and catchy enough for a large chunk of mainstream listeners, Damaged Goods should be the record that catapults Hellbound Glory, though probably not to the top of the charts, at least to the top of several year-end “best of” lists. Not bad for a bunch of so-called scumbags. 

5 Stars" - Juli Thanki

Hellbound Glory review for Damaged Goods on Engine 145