The Greeting Card that Plays a Vinyl Record

A record player contained inside a birthday card. See how/if it works in this video.
If you want to surprise someone with a Recard, you can buy one here.
http://www.recards.co.uk

Whiskeydick Are Set To Invade The United Kingdom This Week!

Whiskeydick are about to wrap up the last leg on their second European tour for 2015. UK folks, get out to these shows as the fellas are already lining up festival gigs and will have some great tour announcements for 2016 when they head back over. Good things coming up for those Bastard Sons Of Texas!

Oct 15 - The Craufurd Arms - Milton Keynes, UK
Oct 16 - The Anvil - Bournemouth, UK
Oct 17 - The Masons Swansea, Swansea, UK
Oct 18 - The Caledonia - Liverpool, UK
Oct 19 - The Library - Oxford, UK
Oct 20 - The Quakerhouse - Darlington, UK
Oct 21 - Bannermans Bar - Edinburgh, UK
Oct 22 - Bad Apples - Leeds, UK
Oct 23 - The Big Red - London, UK

Sturgill Simpson Tours The UK And Gives A Dose Of Real Country Music

Country legend in the making, Sturgill Simpson

Link to The Upcoming UK

"Country music is not for everyone. As a European, usually, you love or you hate it. Unless you’re into the history of the south of the United States, or unless you’re into the genre tout court, you won’t find hipsters listening to it. It may be the last genre that is still pure and not contaminated by modes and cheap fashion trends. Many don’t know how important and influential country music has been for folk and rock music. That’s why, yesterday in Portobello at Rough Trade West, the average age of the audience attending the show was more then 45, but the quality of the gig was ageless.

Sturgill Simpson is from Kentucky and has spent his last week in the UK, traveling to present his new record High Top Mountain, a compendium of how country music should sound and should be written. Classic references, classic instrumentation (mostly a steel guitar) and a classic topoi in the lyrics of the songs (love, hate, betrayal and that leitmotif of a man belonging to a territory, typical of country music). “My Great Grandfather spent his days in a coal mine and his nights on the porch in a chair. Now he’s in heaven and down here in hell the rivers run muddy and the mountains are bare”, he sang in the superb Old King Coal. With a guitar and with a powerful, deep voice, Simpson played just six songs from his last record, but the intensity of the execution and the undeniable talent of this man made the experience very touching indeed.

“I’m trying to pay homage to my family and where I’m from”, said Simpson in a recent interview, and considering the remarkable songs played at the venue, we trust him. Songs full of stories and traditions – both in the ballads (Water In a Well, Hero) and in the richer songs (Railway of Sin, Poor Rambler) – engaged the audience in a religious-like and respectful silence. High Top Mountain is a record about defeated people and injustice (“Born on a summer day in some dark holler, way back in the hills of Perry County. Well he grew up poor and he never saw a dollar, but a dollar ain’t no good in a coal camp anyway”) but thank goodness, as he very well proved, Simpson is not defeated."

Sturgill Simpson live review from the United Kingdom

Tipu's Tiger, Automaton From India

History and works of are intertwined akin to a DNA helix. One doesn't exist without the other, speaking in general terminology. The art of an era generally follows the popular culture and politics, helping to define the mindset of that age. 

  

Over the last few years we have started to take a big interest in checking out automaton's. It is quite difficult to find them being created in the 21st century, as they feel like old technology. What fascinates us the most, is the intricate details of the sculpture, that is being animated. There is a classical sense of craftsmanship and story telling that is not lost, due to the effects of time. 

Stories that follow along with Tipu's Tiger give a huge insight into the plight of 1800's India with British Colonialism. Once you understand the meaning of the tiger and the soldier in the picture, this sentiment echo's some two hundred years later with a full roar.

Check out the Victoria and Albert Museum

'Tipu's Tiger', a carved and lacquered wooden semi-automaton in the shape of a tiger mauling a man, Mysore, India, about 1793. Museum no 2545 (IS).

The Tiger comes to London

'Tipu's Tiger' is an awesome, life-size beast of carved and painted wood, seen in the act of devouring a prostrate European in the costume of the 1790s. It has cast a spell over generations of admirers since 1808, when it was first displayed in the East India Company's museum. On the dissolution of the Company fifty years later, its properties were transferred to the Crown, and the contents of the museum eventually dispersed to appropriate institutions. The tiger was among items allotted to the Indian Section of the South Kensington Museum, now called the V&A.

'Tipu's Tiger' (detail showing organ), 1790. Museum no. 2545(IS)

The Man-Tyger-Organ: A mechanical toy

Concealed in the bodywork is a mechanical pipe-organ with several parts, all operated simultaneously by a crank-handle emerging from the tiger's shoulder. Inside the tiger and the man are weighted bellows with pipes attached. Turning the handle pumps the bellows and controls the air-flow to simulate the growls of the tiger and cries of the victim. The cries are varied by the approach of the hand towards the mouth and away, as the left arm - the only moving part - is raised and lowered.

Another pair of bellows, linked to the same handle, supplies wind for a miniature organ of 18 pipes built into the tiger, with stops under the tail. Its structure is like that of European mechanical organs, but adapted for hand operation by a set of ivory button keys reached through a flap in the animal's side. The mechanism has been repaired several times and altered from its original state. It is now too fragile to be operated regularly.

Unknown, 'Tipu Sultan', about 1790-1800. Museum no. IS.266-1952

Tipu (Tipu Sahib to his European contemporaries) was Sultan of Mysore in South India from 1782-99. The painted wooden casing of his tiger is unmistakably Indian, but there are indications that the mechanism came from a European hand. A French source seems likely, as many French artisans were employed in the Sultan's workshops under Citizen Tipu's unofficial alliance with the Revolutionary government. Other Indian potentates also collected musical automata, which were fashionable at the time; what makes this one so interesting is its uniquely personal significance for the owner.

Mysore against the Company

Unknown, 'Tipu Sultan', about 1790-1800. Museum no. IS.266-1952

He was the implacable enemy of the East India Company, a commercial enterprise with its own armies and civil administration, which during the late 18th century was engaged in extending British dominion in India. In the south the conflict of interests between the Company and the Mysore regime made war inevitable. 

Tipu's father, Haidar Ali, a Muslim of humble origin, had risen to high command in the Mysore army, until by 1762 he was strong enough to unseat the Hindu raja and make himself master of the state. Thus a weak province became one of the strongest and most militant in India.

There followed the four Mysore Wars, during which Tipu succeeded Haidar, and which ended in 1799 with the siege and fall of the capital, Seringapatam, to the British. Tipu died fighting bravely in the struggle for the city, and many of his belongings were seized as trophies in the plundering that ensued. The wooden tiger aroused great interest from the first, and was soon despatched to the Company's museum at the India House in Leadenhall Street, London.

Further adventures of a Tiger

Tipu and his exploits captured the popular imagination in Britain, figuring prominently in art, literature and drama far into the 19th century. Keats, who visited the India House while the tiger was on show there, in Cap and Bells envisaged a personal performance by the Sultan on his  Man-Tyger-Organ. The Storming of Seringapatam unleashed a flood of prints and broadsheets. It inspired one of the largest paintings in the world, exhibited in London as a panorama. It was featured as a vast spectacular at Astley's Amphitheatre, and cut down to size for the juvenile drama. As late as 1868 it set the scene for Wilkie Collins's novel The Moonstone.

The Lion of God is the Tiger of Mysore

This enduring fascination can be explained by Tipu's much-publicized tiger mania and anglophobia, twin obsessions which were embodied in the toy tiger. Tigers and tiger symbols adorned most of his possessions, from his magnificent throne to the uniforms of his guards.

His armoury included mortars shaped like sitting tigers, cannon with tiger muzzles, and hand weapons decorated with gold tiger heads, or inlaid in gold with tiger masks formed by an arrangement of Arabic letters meaning The Lion of God is the Conqueror. This text is highly relevant to Tipu's psychology. Victorious Lion of God, and Haidar, meaning a lion, were titles bestowed by the Prophet on the Imam Ali, after whom Tipu's father was named. (Lions and tigers were regarded as interchangeable in such a context.)

Theatrical print, 1823. Theatre Collection

Tipu's Dream Book - a Persian manuscript found in the Palace after his death, and preserved in the India Office Library - reveals his preoccupation with tigers, and his association of the cult animal with the extermination, or at least the driving out, of infidels (i.e. non-Muslims). He was in effect the royal tiger, the instrument of God, appointed to devour God's enemies, particularly the British, whose continuing presence in South India guaranteed opposition to the aggrandizement of Mysore. His opponents felt in him the mingled dread and allure of the 'tyger burning bright', irresistible to the European then as now.

English translations of the dreams were published in 1800. By the end of the third Mysore War Tipu had sustained heavy losses in territory and indemnities. He had also been obliged to hand over two of his sons as hostages to the British commander, Lord Cornwallis. The boys had been well treated, even feted, during their two years in Madras, but Tipu never forgot the humiliation. He ordered the walls of houses in Seringapatam to be painted with scenes of tigers mauling Europeans. Live tigers were kept in the city and there were stories of prisoners thrown into the tiger-pits.

A Tiger's Vengeance, or, The Death of Munrow

Tipu must have been intrigued by a news item widely reported in India and Britain in 1793, only months after he had been compelled to sign the hated Treaty of Seringapatam. A young Englishman out shooting near Calcutta had been carried off by 'an immense riyal tiger...four and a half feet high and nine long', sustaining fatal injuries. The victim was the only son of General Sir Hector Munro, who had been concerned in a crushing defeat inflicted on Haidar and Tipu in the second Mysore War.

Far away in England 'The Death of Munrow' would be commemorated by Staffordshire pottery groups for the cottage chimney-piece; The 'Tiger of Mysore' may have devised a personal and more exotic memento."

Tipu's Tiger', emblematic organ, 1790. Museum no. 2545(IS)

Written by Veronica Murphy, 1976, and published in the V&A Masterpieces series. Revised 2006. For an updated history of Tipu Sultan and the Tiger, see Susan Stronge's 'Tipu's Tigers', V&A Publishing, 2009

Daisy Lowe and Esquire Magazine, We Thank You

Daisy Lowe has quickly become a favorite model of ours, by this gem of a video below. This is a behind the scenes shoot for Esquire Magazine UK and we cannot thank them enough.

Find out more about Daisy Lowe


Esquire woman we love - Daisy Lowe from esquireuk on Vimeo.

Daisy Lowe is one gorgeous model from the UK

Agent Provocateur and Daisy Lowe

Daisy Lowe is our new favorite lady from Britain

Crank County Daredevils Featured In Metal Hammer

All we can say is THANK YOU to Metal Hammer Magazine for doing a write up on the Crank County Daredevils third album. The album may be two years old but that just goes to show that great music has a long shelf life and is continually listened to.

"CCD's self-titled third album blasts with razor sharp screams fused with Southern rock twangs for an original take on a classic genre. It's Calling Me slows things down several notches, but the rest of the the album drips with rowdy riffs and sludgy sleaze. The definition of raw, dirty rock n' roll"

  -  Hannah May Kilroy