Showing posts with label Whitey Morgan. Show all posts
Showing posts with label Whitey Morgan. Show all posts

Wednesday, September 23, 2015

It's Great To See A Review For Outlaw Country Artist's Such As Whitey Morgan To Get A Review On The Needle Drop


It's great to see outlaw country artist's such as Whitey Morgan get a review on the youtube channel The Needle Drop. This is good for several reasons. Anthony reviews a ton of albums and also churns up a ton of views on his channel so it is guaranteed to get picked up by a lot of other media channels. The other element that is damn cool is how straight forward he is within the review and about the music itself. 

Many times I can be personally at odds with a review as sometimes the description can be just about one particular song and not look at the album as a whole. Anthony really dives in to each album and talks on them with a deep listen and it shows when within his descriptions. Kudo's to Whitey on the great album and getting a solid review outside of the main country areas.

Tuesday, March 17, 2015

Two Great New Tracks From Good Riddance And Whitey Morgan


Here are two great new songs that are reverberating around the shop walls this week. Select cuts from punkers Good Riddance and a killer cover of Townes Van Zandt by Whitey Morgan. Definitely check these songs out.

Wednesday, March 12, 2014

Hellbound Glory Invades The Outlaw Snowdown

Hellbound Glory Invades The Outlaw Snowdown

The Outlaw Snowdown is more than a music festival… it’s a rowdy, rock and ride weekend. A high-country congregation of  folks lookin’ to have a good time. A play-hard weekend for the work-hard set.With a line-up of artists that run the gamut from Red Dirt and Cowpunk to Americana and Outlaw, the one thing each act has in common is a kick-ass, live country show.

2014 Artists Include: Whitey Morgan + the 78′s, Hellbound Glory, Lydia Loveless, The Freightshakers, Merle Jagger and Bordertown Saints + more!

Previous Outlaw Snowdown Artist Include: Stoney Larue, Jason Boland, Supersuckers, The Band of Heathens, Hellbound Glory, Elizabeth Cook, Shooter Jennings, Micky & the Motorcars, Whitey Morgan and the 78′s, Lydia Loveless, Fifth on the Floor, Chad Sullins and the Last Call Coalition, The Ben Miller Band, D.L. Marble Caitlin Cannon + the Artillery and Brooks-i!

Want to stay up to date on what’s going down with Outlaw Snowdown? Sign up for our newsletter!


Outlaw Snowdown is proudly brought to you by Buckwild Productions.

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Tuesday, August 13, 2013

Bands We Are Stoked To See At Muddy Roots

Muddy Roots is rolling up fast and as we are steady in our preparation mode. Here some of the bands that we are really pumped to see in no particular order. Now for all y'all that heading to Tennessee for the event, roll on through our lounge and store booth as we will be setup all weekend. Also of note, all the bands that are on Rusty Knuckles Music in attendance, will be hanging out, having drinks and talking shop with impromptu jams all weekend. Needless to say our lounge will be buzzing all weekend so come on over and say hello. 











Thursday, April 25, 2013

Want To Hear And Support Real Country Music? Read On...

Check out original post on Saving Country Music

There’s been much talk so far this year about how the women of country are outpacing the men when it comes to the quality of music, and we’ve talked about possible reasons why that is. But we haven’t talked about some of the men that if simply given a chance, could shoot an immediate injection of substance into the country music format. They just need similar chances to their female counterparts.

It’s not that the men of country have any less talent. One of the problems is that many talented country men are making their way to Americana, tired of beating their heads against Music Row’s walls, and not wanting to be lumped in with the laundry list arena rock or country rap currently plaguing the mainstream male country ranks. If country music can’t facilitate the rise of their careers, country will lose their talent to other avenues.

A lack of talent has never been country music’s problem, it’s been recognizing that talent and allowing it to thrive by expressing its originality and creativity. Here are seven men that right now could enter into prominent positions in the country format and immediately make it better.


Sturgill Simpson

If you wanted one name, one man to watch in country music in 2013, that name would be Sturgill Simpson. Poised to take the country music world by storm (or at least the independent side of things), Sturgill’s debut solo album High Top Mountain is going to blow the doors off of country music when it’s released on June 11th. Sturg is already making waves out there on the road opening for Dwight Yoakam, and has one of the best management and booking teams behind him. Everything is in place. The next question is, will country music pay attention?




Will Hoge




The truth is you’re already hearing Will Hoge on mainstream country radio, you’re just hearing his songs being sung by others. Hoge is one of those songwriters that has been right on the brink of breaking through for 15 years, but has always just been one important puzzle piece away. Eli Young Band had a #1 hit last year with Will’s song “Even If It Breaks Your Heart,” and at the time the songwriter didn’t even have a publishing deal. Recently Lady Antebellum recorded his song “Better Off Now.”

Will is now signed to BMG Nashville as a songwriter, and has been signed as a performer to Atlantic Records and Rykodisc in the past. Though Will has struggled to find the exact right opportunity to take his music to the next level, he is a battle-tested performer, a proven songwriter with commercially-viable material, and an artist the industry is familiar with that could immediately step in amongst country music’s mainstream men and bring more substance to the format, open up new themes, and hopefully challenge other male performers and writers to release more formidable material.


Whitey Morgan

Whitey Morgan and his band The 78′s are the authentic, modern-day extension of country music’s true Outlaw country movement. It doesn’t get more hard country and honky tonk than this. Music Row’s batch of fake Outlaws will only be able to go so far before the American public wakes up to the fact they’ve been sold a bill of goods. Whitey Morgan is country music’s “new Outlaw” for the long haul.




Evan Felker & the Turnpike Troubadours

With Evan Felker and the Turnpike Troubadours, the question is not if, but when. You may not be able to find a better example of a songwriter that can bring true country substance yet still find appeal with the masses. Like Hootie taking Old Crow’s “Wagon Wheel” to #1, Felker songs like “Every Girl” “7 & 7″ and “Good Lord, Lorrie” are just screaming to be cut by a bigger name, letting the rest of the world know what a treasure the Texoma region has in this young and exciting band. The hardest thing for a Red Dirt / Texas country band to do is make that transition from regional stars to national recognition, and to do it without streaking their hair with highlights or releasing songs with obviously aims at radio success. The next couple of years are very critical for this band, but if Nashville had any sense, they’d hop on the Turnpike Troubadours bandwagon now.




John Fullbright

A former Turnpike Troubadour himself, and a former member of the Mike McClure band, John Fullbright became a serious force in the music world when he released his critically-acclaimed From The Ground Up album last year that rose all the way to winning the young man from Bearden, Oklahoma a Grammy nomination for Best Americana Album. Isn’t it just like Americana to snatch up all of country’s promising male talent? But with the strength of his songs, John Fullbright could find a home in both country and Americana if he wished. At only 25-years-old (it’s his birthday today), the sky’s the limit for this emerging talent.




Leroy Virgil & Hellbound Glory

Leroy and Hellbound Glory on the Rebel Soul Tour with Kid Rock
If you’re wondering where our generation’s Keith Whitley or Chris Ledoux is, look no further. Though Leroy will probably never play Nashville’s game, he’s got country music’s most formidable song catalog just waiting to be cherry picked and matched up with top-tier talent. In the meantime, Leroy and his band Hellbound Glory could be playing sold-out big club/theater shows and headlining grassroots festivals.

Virgil and Hellbound Glory are fresh off opening for Kid Rock on a nationwide arena tour and signing with the prestigious Agency Group for booking. It may be only a matter of months before we stop complaining of why Hellbound Glory isn’t bigger, and start proclaiming that they’ve made it. Time may be running out to get on board with Leroy Virgil at the ground level and enjoy the rise.



Dirty River Boys

If country music was looking for its rough equivalent of Mumford & Sons, The Lumineers, and other acoustic string bands that are all the rage right now, look no further than El Paso, TX’s Dirty River Boys. Way more than just Americana’s version of a boy band, The Dirty River Boys have a grit and authenticity to them many of these other bands so woefully lack. Yet the Dirty River Boys can still can engage large crowds in sincere singalongs that tap into that sense of camaraderie that many music fans are looking for these days.



Friday, March 23, 2012

Are Rising Gas Prices Going To Harm Touring Bands?

Ever have a theory on why gas prices never go back down after they rise up? Speculation, futures, forecasting and greed are just a few of the issues at hand. We as a nation will forever be at the mercy of big oil, as our foundation is built upon it. As a band, this will directly affect your touring costs and the bottom line. For the clubs that continue to pay out a paltry sum to touring bands, as a band refuse to play there anymore unless they have a better guarantee. Clubs primarily make their money on alcohol sales, without the fans supporting the shows and arriving in force, maybe these cheap ass bar owners will feel the pinch as well. 

Bottom line, bands need to be paid for their work or to at least be able to cover their costs. As a touring band, factor in gas and maintenance costs and have a minimum in mind for a contract per each club before hitting the road. This is just one factor to help keep the "live" music live.


Article on Gas Prices penned by bassist Jeremy Mackinder of Whitey Morgan & the 78's
(Oil prices have spiked over $15/barrel in the past week amid turmoil in the Middle East, with gas prices to follow. This is a guest post from Jeremy Mackinder, the bass player and manager for the honky tonk band Whitey Morgan & The 78′s)

So, everyone is feeling the pinch at the pump today. I’m going to do my best and avoid the politics of this here, because there are a ton of them, but, this is how it directly affects the music you are hoping to see this summer.

Gas prices are expected to reach a national average of $5 per gallon by mid-summer. Even at $3.25 (which is what I paid this morning), it’s still hard. As my band budgeted this last tour we got hit by it. You work out your estimated gas cost, overestimate a bit and hope nothing on the van breaks so you come out a little ahead. Of course, that didn’t happen this time as gas prices shifted throughout the week, and like everyone else, we have to reassess summer tour plans over the next few days.

To put it in perspective, we’re based in Flint, MI. To hit the road from Flint and play in Chicago, IL where our label is based and we play frequently, its approximately 275 miles. According to Mapquest.com at this moment with our van and trailer, it comes out around $110 to get there. That’s just to get to a show in the next major city west of us. By the middle of the summer, we’d be looking closer to $170.

A $60 increase is huge. It’s the cost of a hotel room. A cheap motel room after taxes actually. When you consider that into your budget, doing a 30 date tour will cost the typical band at the level we are (bands not in a bus, traveling by van and trailer) you have to find another $1800 in your tour plans to stay at the same level you were at.

We don’t exactly live in the lap of luxury on the road. It isn’t caviar dreams and champagne wishes. It’s cheap whiskey and sharing an edge of a bed with a bandmate, hoping the room isn’t disease ridden, and that’s if you can afford a room and aren’t sleeping on a generous fan’s couch or floor.

This will stifle tours. Bands will have to reassess the idea of how far out they travel to each gig. Hell, it even invades your income at home as it costs you extra gas to get to the show that you had hoped you’d make a little extra cash at. Like everyone else who goes to work, this is our livelihood and it just took a major blow.

That’s not to say that the “big” boys won’t get hurt by it either. Imagine doing a big elaborate tour such as Kid Rock’s or Kenny Chesney’s summer tour. A convoy of semi’s and busses running across the country, with their big gas sucking engines running hard all day, and running hard all day at a 50% increase of the original planned cost. They’ll feel the pinch as well, and most major label acts are struggling to keep their income anywhere near where it was a few years ago.

Link to Whitey Morgan & the 78's on Facebook

I’m not saying there’s any sympathy to be doled out here, and I’m not complaining. I play music for a living, it’s the greatest job in the world, if the rewards I lived for were monetary, I would have found something else to do long, long ago.

Each and every person in this country will feel the impact of gas prices increasing. Your food prices will go up, your travel hopes will have to be suspended (think of how many of you have to reconsider what festivals you can afford to travel to) and jobs will disappear as companies try to maintain their business with increased expenses.

This country has been through this before. It will again. But, everyone was already hurting pretty badly before this and as far as touring acts go, you can expect to see cancellations or just shorter, smaller tours. The big bands and the small bands will have to assess the value of touring this summer in the wake of this.

The real losers here are the fans who won’t get as many of the acts they are hoping to see in their towns this year. The real question I guess would be, even if the acts came, could their fans afford to see them?

Hillgrass Bluebilly flyer for Whitey Morgan & The 78's