Monday, September 26, 2011

Ronnie Hymes and Lucky Tubb

Check out these great photos posted up by Tim Bradham over at the one and only TBCWorks, best damn Hot Rod shop in the eastern Carolina's. Ronnie Hymes is currently still on tour with Lucky Tubb so get out and see him on the last two shows of the tour. Once off the road, Ronnie will be hittin' the studio in earnest to begin working on the new album. Really stoked to hear what he has cooking.

9.26 - Buffalo, NY - Sportsmen's Tavern
9.30 - Washington, DC - Hill Country DC

Venice Vintage Motorcycle Rally

The fine folks over in Venice, CA are having a killer rally and party on October 22nd, damn why couldn't it have been the weekend of Oct. 9th as we will be in town. Here is some quick info on what they consider "Vintage"
Q:  What do you consider “Vintage?”
A:  So technically speaking, it’s 20 yrs. or older.  However we consider vintage to be anything pre ’78.  It was around this time that bikes of most brands started to take on a more modern look.  As well, it was the last year Honda released a bike with a kick-start.  Having said that, we’re not snobs so don’t worry about it...unless it’s Wednesday.
   
Q:  Do I have to be a member to join the rides?
A:  Nope.  Hop on your vintage bike and come ride with us!

Q:  How do I join?
A:   The VVMC is a not an organization, it’s a club.  Even more, a small, tight group of like minded (and a bit crazy) friends.   Therefore, there are no dues or membership fees.  If you’re serious about joining the clan, here’s the simple law:

1. You MUST ride a vintage (pre ’78) bike.

2. Plan on riding with us and being active in the group for at least a year.  

Showing up on occasion doesn’t cut it.
1. You can’t be a major tool.


....it’s just that simple.


2011 Venice Vintage Motorcycle Rally - October 22nd

Morning Ride - 10 AM
AHRMA Vintage Racing Exhibit
Builders Garage
Vintage Judging
Raffle
Live Music
Beer + Rum Garden
Pinup Girl Contest - 5PM
Food * Drinks
Motorcycle Art
After Party - 6PM

Muddy Roots 2012 - Already On Sale

Muddy Roots 2011 definitely lived up to it's name and a damn amazing time was had by all. Do yourself a favor and start making plans for this event in 2012. The folks putting it on worked their asses off and made everyone feel welcome. This type of dedication is a rarity and only by supporting such a great event and helping it to grow will such a great festival continue to exist.

Communicate Effectively Through Social Media

Do yourself a favor and get over to Saving Country Music or read the full article right here. Triggerman did a fantastic writeup on social media and about using your own website, facebook, twitter, etc correctly. Unless you are completely unplugged from the grid and or don't really have any interests in social media, we are all on some form of website linking us to others for communication. If you are in a band, get yourselves set up correctly to be able to communicate effectively. Magazines are being phased out along with their indepth coverage compared to how quickly a website can give you a live feed of updates. Make the future yours and put efforts into communications that will let you to be found for the right reasons. If fans cannot find your band, don't blame the club, record label or promoters for not doing their job. It starts with the bands first and foremost.

Full article on Saving Country Music

What seems to be at the top of everyone’s mind on this 21st day of September, 2011 is the recent reconfiguration of the Facebook interface. I can tell it’s top of mind, because people’s bitch rants about the change is what occupies every one of the top 20 slots in my Facebook news stream, and from what I understand, what you see at the top of your news stream is based mainly on popularity.

Many folks are opining this is the demise of Facebook, and are fleeing to Google+. The fact is Facebook is already in rapid decline, and was even before Google+ was launched in full force. After years of record growth, including adding at least 20 million users per month over the previous year, Facebook actually lost users in May 2011, almost 6 million users, with another 1.5 million lost in Canada (read the full report). This recent reconfiguration may help escalate the Facebook decline, but it is not the cause, it was a reaction to the fear that Facebook was dying already. Even if Facebook can make it through this redesign, there is a good chance it is still doomed.

The decline of Facebook has little to do with the interface, and more to do with the drama that Facebook was scientifically engineered to create and disseminate. That was Google+’s gamble, and their ace-in-the-hole with their idea of ‘circles’ that keep information within certain groups of contacts. If Google+ wins out over Facebook eventually, these ‘circles’ will be the reason.

But both interfaces are rating what you see based on popularity, the same exact system in Nashville, New York, and LA that keeps the robust musical talent in independent circles down, while the established, mainstream acts stay afloat despite talent shortfalls. The simple fact is, since the decline of the original MySpace, the ability for artists and fans to interact and share information has been devolving. Facebook was never a viable alternative to the artist tools MySpace offered, the most important of which was the MySpace bulletin board, which was a real-time way to post and share information, that did not use some obscure formula based on popularity that chose who saw what. If you posting something, all of your friends saw it.

Twitter is the only major social networking tool available for artists and fans that does not run your information through a third-party judgement filter that decides who gets to see what, and when. It simply aggregates in a timeline bits of information from people you choose to follow, without hiding or prioritizing anything. Its character restriction limits its functionality for certain things, but at the same time, also increases its potency for others.

Listen to me, and listen good. There is nothing more important, and no bigger challenge in music right now that the ability for artists and their fans to communicate. This takes effort on everybody’s part. Lessons must be learned from the death of MySpace on how to navigate the destruction of a social network without losing the network itself. Below are some suggestions of how handle the very real possibility of the death of Facebook. Most are for bands, because they drive the boat, but fans can can help themselves and the bands by understanding how they disseminate information, and making sure they put themselves in the right channels to receive it.

Bands – Get Your Own Website

Don’t just jump to Google+ and call it good, and don’t rely on the whims of the pliable American public to afford you a viable vehicle for getting information out about your music. Every band needs a website. Even a business card website with basic information is better than nothing, but there is no better investment a band can make than a fully functional website that offers information about the band, music samples, videos, and most importantly, a blog or news feature, show calendar, and an email signup list.

Right now the biggest issue facing touring bands is the dissemination of tour dates. I cannot put into words how dumbfounded I am that there are dozens of bands out on tour right now, with no place to find their dates, mainly because many social networks make it difficult to impossible to post them.
And when you have a big announcement to make, (i.e. a new album, or an upcoming tour) don’t post that announcement on Facebook or Google+, post it on your website, and then link to it from all your social networking properties, and then send an email to your signup list. Putting original info out on social networks puts an extra layer between your information and search engines, while links on social network sites that lead to a centralized place actually help the search engines find it. Think of your website as the mother brain, with all the other sites as satellite properties.

Also understand that certain social network platforms are better for certain information than others. Work to understand what works best for you, and your followers. For example, it is probably best to post a big tour announcement through your website. But each night of the tour, announce where you will be through Twitter. Google+ might be better for personal quips or stories from the road, and pictures and video. And understand the more you post through any format in a 24 hour period, the less potency each post has. If you post something on Facebook or Google+, and then post something else an hour later, there a good chance most folks won’t see your first post at all in their news feed, that is unless the first post is more popular, then they won’t see the second. Twitter is the only format that you can be assured all your posts are accessible, but if you tweet 20 times a day, it is less likely each post will get read than if you post only 2.

And to the fans: Do your part by signing up for your favorite band’s email lists, at shows and online. We all want to stay in touch, and we all want to get information as easily as possible. We can do that through a social network’s news stream, or we can also do that through our email Inbox, which doesn’t change at the whims of some hoodie and sandals-wearing billionaire running a social engineering experiment, and your email is a place you already visit daily anyway.

Don’t Give Up on Any Social Network Too Early

We may be able to get a firm grasp on what the social networking landscape is right now, but it can change in a matter of days, Facebook just proved that. Anybody who tells you they know where social networking is going is full of it; nobody does. Who knows, Google+ could tank, and Facebook could recover. Twitter could lose it’s compass, and MySpace, now owned by Justin Timberlake, could make a big comeback. Jumping from one social network site to another is foolish. Be in as many places as you can. Spread your information out like a bad rash, and don’t give up on any social network until it is absolutely hopeless.

- – - – - – - – - – - – - – - – - – - – -

Specific to savingcountrymusic.com:
We have created many tools here for artists and fans to help keep everyone connected in the post-MySpace era. The more we all utilize these tools, the better they will work. We have an active and updated Calendar that covers all the appearances by core SCM bands. The SCM News Feed in the top right corner of every page is updated 24 hours a day, in real time to try to keep everyone connected on news. For especially big news and a weekly newsletter, you can make sure your on the SCM email list, and don’t forget the message board, where you can take control and post whatever you think folks need to see, and then link to it through social networks.


Wednesday, September 21, 2011

Wrench Works - Sturigs Run Part 1

We got a huge batch of photos from Josh over at Wrench Works from his Sturgis trip this year, back in August. Will be posting them in several batches are there are way too many for just one sitting. After seeing these roads its quite easy to understand why the multitudes descend on South Dakota for our version of Mecca. Beer, bikes and debauchery are just a side note when it comes to the grandeur that is this region of the country. Get out there and ride the great highways and backroads. To hell with excuses, take the time, tune the bikes and report back on your findings. This blog is just one of many that can be a forum to any and all that want to contribute.  Send us an email and we would be glad to post your runs, bikes and travels.

Tuesday, September 20, 2011

Ryan Bingham At Austin City Limits

We might be a bit late to the Ryan Bingham party after seeing and hearing his tunes as part of the great country movie Crazy Heart, starring the Dude. What the hell does that matter though. Ryan Bingham is one dude with an amazing voice and playing ability, just have a look at this clip from this week at Austin City Limits.


ANTiSEEN - Black Eyed Susie Live

If you have been sleeping under a log like a dirty hippie or caveman, we totally understand why you have not heard about ANTiSEEN's cover of Black Eyed Susie with the one and only Joe Buck Yourself. If you are still missing out, we have a few copies left of this legendary 7". Get it while you still can... 



Hank Williams 3 - Reviews On NPR


For fans of public radio, go over to NPR and listen to a solid review of Hank 3's lastest batch of albums. They are on point and shed more light on the variety of sounds between the four albums released. We have always dug his sound due to his refusal to be pigeon holed just to play one type of music. Whether it be the hellbilly punk infused metal that was brought out through Assjack, the Discharge worshipping sounds of Superjoint Ritual or his real country tunes in which he wails like his grandfather Hank Williams. Hank 3 continues to live through music on his own terms.


Hank Williams III, also known as Hank 3, is the son of Hank Williams Jr., as well as the grandson of Hank Williams, considered to be one of the greatest country music performers of all time. Hank 3 got his start in music playing punk and metal, then went on to form bands with members of Pantera and The Jesus Lizard. Hank 3 made country albums, too, but had little use for mainstream Nashville's restrictive culture.


He's always cast off the expectations connected with his iconic bloodline, challenging the music industry, the press and even his fans. In concert, Williams will often go from a set of straight-up country to "hell-billy" to punk rock and metal, with only the most broad-minded audience members sticking it out for the whole show. And he's just released three albums — spread out over four CDs — on which he pushes boundaries farther than he ever has before.


"Trooper's Holler," from Ghost to a Ghost, is a perfect example of Williams' originality, as his dog Trooper's vocals are featured here. Ghost to a Ghost is, for the most part, unambiguously country, with some requisite dirty words and a small shot of klezmer. The second CD, Gutter Town, plays more like the soundtrack to a horror film: a demented Cajun campfire on the outskirts of a creepy, deserted village.


Hank 3 has used ambient sounds and bleeps and blips on recordings in the past. But it's the third CD, Cattle Callin', on which he truly innovates. In his never-ending, genre-bending quest, Williams creates what he calls "cattle-core," setting the rapid-fire calls of cattle auctioneers to super-speed-metal double kick drum, guitar shreddery and diabolical vocal squall.


As if that isn't enough, there's a fourth disc, titled Hank 3's Attention Deficit Domination. This is Williams' foray into doom rock. It's a bottom-heavy slow dirge that shows off what got Williams into music in the first place: his considerable bass and drum playing.


With his instrumental skill, his vocal ability and his pedigree, Hank 3 could have easily coasted into a mainstream country-music career, but no. Legend has it that Minnie Pearl, who was close to the Williams family, told Hank 3, "Lord, honey, you're a ghost," because he so closely resembles his grandfather. But as much as country music runs through Hank 3's veins, so does rebellion. Remember that his grandpa was thrown out of the Grand Ole Opry. Most of the music on Williams' four CDs bears little resemblance to Hank Sr., but his reckless spirit is in there.


Monday, September 19, 2011

Slap Pal and Photographer Du Jour - Joe Brook

Life is all about who ya know and having friends far and wide makes perusing the internet fun on many an occasion seeing what folks have been up to. Just happened to click some links from youtube updates, low and behold, Slap Pal and old friend Joe Brook popped up on a Juxtapoz page. Haven't seen Joe in a few years, but he was always one of those individuals that was genuine and a true pleasure to be around. Hope to run into ya sometime again soon hombre, always dug the photos...


Hatch Show Print - Nashville, TN

We own quite a few posters in our ongoing poster collection from Hatch Show Print and have still yet to walk into their doors. After numerous trips to Nashville and always getting caught up doing other things their magic is still on our minds. You can guess that we are planning on having a custom poster done by them at some point for sure. Now, which band should it be?

If you haven't heard of Hatch Show Print, we know that you have seen them. Dig into their work as it is as iconic as the city of Nashville is to country music.