Showing posts with label Americana. Show all posts
Showing posts with label Americana. Show all posts

Monday, January 25, 2016

American Roots UK Gives Peewee Moore Tremedous Review On Hs Latest Album


Read the fantastic review over on AmericanRootsUK.com

"This is Peewee Moore's third tremendous album of modern 'Outlaw country.' I use the word 'modern' simply to distinguish him from the 'old timers' Bobby, Willie, Waylon, etc. because there are differences despite Peewees close stylistic links. The big thing is that his music has a total lack of sanitization whilst the other three, at least early in their careers, were dictated to by the record companies, as a consequence of which, whilst they were always edgy, some of that record company way of doing things can't have failed to have smoothed off some of the harsh edges. This is not the case with Peewee's music, which on occasions is raw and edgy but at the same time incredibly melodic despite a hardness that adds an aggressive and at times slightly threatening nuance to his work.  

Friday, November 6, 2015

Stump Tail Dolly's Debut Album Merges Metal And Country Entirely Into It's Own Genre





We would like to tell yall about a great band and couple of people that have recently joined Rusty Knuckles Music. Damn proud to have Lucy and Ryan on board with their new project Stump Tail Dolly. Equal parts rootsy americana and melded with the riffing and thrashiness of metal, this hybrid sound is a unique amalgamation and about to hit the road for touring.

Ryan Clackner and Lucy Cochran (sometimes separately, sometimes together) have toured, performed or recorded with Bob Wayne, Fifth on the Floor, Shooter Jennings, JD Wilkes, The Legendary Shack Shakers, Red Simpson, Sarah Gayle Meech, The Local Memories, Joe's Truck Stop, Tyshawn Sorey, and many others. They've opened for Social Distortion, Tiger Army, Hank III, George Thorogood, Unknown Hinson, Roger Clyne, JJ Grey, Scott Biram and more. Ryan has appeared in multiple music videos, including "Hush Hush" by The Pistol Annies. Lucy is an award-winning contest fiddler.

Stump Tail Dolly's debut album comes out Friday 11.20.15

Track Listing:

1. I've Endured - Reed (arr. STD)
2. Insomnia
3. Stump Tail Dolly- Traditional
4. Marish Prophet
5. Billy

Thursday, July 30, 2015

Gallows Bound Release New Video For The Song, "Sink In The Soil"

Gallows Bound Release New Video For The Song, "Sink In The Soil"

There are a plethora of bands in the Alt Country, Americana and Roots underground that are churning up the waters, but one of the great ones to see live is Gallows Bound. With well written songs, superb musicianship and energetic live show, this is a band to keep your eyes and ears on.

Friday, June 27, 2014

Jay Berndt Is Known To Move Mountains With Sound Waves

Day 3 at The Power Station NE: Starting to track vocals
Leave it up to Jay Berndt to show so much humanity in the photos from his latest recording session. He is in gear heaven and couldn't be more proud about the direction things are going in. With the full album sound that he and the band are culling together, to the overall vibe of the recordings, here is a man that knows who is he and where he stands. This is what you call a true musician's musician. Congrats hombre, as I know how much time and effort you put into all the work. Can't wait to hear the final masters with fresh ears.

Tuesday, July 16, 2013

Heavy Rebel Weekender 2013

Let's just get things started off correct by saying, damn do we enjoy being a part of Heavy Rebel Weekender. Mucho thanks to Dave Quick and Courtney Southern for making a great event even better by really keeping it all running smooth and efficient. Also a huge thank you to Greg who owns the Millenium Center in downtown Winston-Salem for all the great food and hospitality that they provide. Can't say enough folks, if ya haven't been to the event, mark it on your mental calendar as one of those festivals that is all about the down home vibe.

Check out more of our photos on Flickr

Had to hop off the Wheelin' Towards Willie tour to head back to NC for Heavy Rebel, leavin' Dallas on a jet plane
Road Devils Car Club radiator sign
Hangin' with the one and only Billy Velvet of Crank County Daredevils and Holy Rollin' Hellfires
Pure and classic, what could be better than an original Knucklehead
Futuramic fender with style for miles
This belly tanker was the highlight of the day, damn great to see a car built for racing and done DIY
So the story goes a Knuckle and Flathead show up...
Old man Fred and his beard ride are always a hit
American Speedway are damn great live and the beer was flying
Trailer queen? Broken down or maybe just not done yet, you be the judge.

Tuesday, December 4, 2012

Can Billy Don Burns Become The New Beacon Of Underground Country Music In Europe?

Billy Don Burns is a feautred artist on Dutch Radio for Country and Americana


CountryFile is the country/americana show on Radio HavenstadFM.
Broadcasted live on air, each Sunday 12.00 – 14.00 CET.
Cable FM 104.1, ether FM 105.4 and live stream on www.Havenstad.FM

Wednesday, November 14, 2012

The Destruction of America’s Distinct Musical Dialects, From Saving Country Music

Saving Country Music as a site for reviews and opinionated forums, has become a great repository for all things dealing with Americana and Country Music. Whether it be articles on the sale of the Grand Ole Opry, putting Big Machine in check or calling out great new albums, Triggerman, never fails to be informative and on point. If you agree with him great, if you don't, who really cares, as the site is based on one individual's view point, on how Country Music needs saving.

This is where things get rather interesting and somewhat dicey though. The comments and mud slinging at the bottom of each post can become all out war and it is a fray in which I think some enjoy pushing as many buttons as possible. Regardless of all the conjecture, the topics raise awareness and bring to light the main issue of supporting independent and what we refer to as "Real Country Music." 

The article below from Saving Country Music, raises quite a few good points concerning diversity within America. Folks love to talk on how much culture urban areas have and we couldn't agree more. Hopefully though at some point, main stream media will realize that those of us from the "sticks" have always had culture, it just happens to be our own. This "Shorebilly" is damn proud of his roots.

Check out original post and all the comments on Saving Country Music

An old red barn from rural Georgia, check it out here
"In early October, a 92-year-old retired engineer named Bobby Hogg passed away in the little town of Comarty, Scotland. The death was significant because Mr. Hogg was the last speaker of a local dialect called “Comarty fisherfolk” that now only exists in a few brief audio clips. Many of the villages of northern Scotland have distinct dialects, and as time goes on, they become lost forever as elders pass away and the younger generations slowly drop their native accents in place for the more common pronunciations.

When President Obama won re-election last Tuesday, he said in his speech that what makes America strong is not that it has the greatest wealth in the world, or because it has the strongest military, or because its culture is the “envy of the world.” Obama cited America’s diversity, and the bonds that hold that diversity together as the reason the United States remains the most powerful nation on the planet.

But where the greatest diversity of culture exists in America, especially when it comes to dialect and musical styles, is in the rural states and counties; that red area that Obama didn’t take in the election. Cities and suburbs are much more likely to be gentrified to the more common American culture spread by popular media and entertainment than rural areas are, obviously with some exceptions.

In fact when you look at the culture of America’s rural areas, it’s is usually lampooned by the rest of the country’s culture, especially the dialect. “Rednecks” and people from the country have been a mainstay of comedic fodder for over 50 years. And now, entities like CMT, who are supposed to be for people of the country, by people of the country, are themselves formulating television series around making fun of “rednecks” in shows like Redneck Vacation and Redneck Island.


Miss Redneck of the Year (2007), Rawni White.
Meanwhile the negative connotations in media about redneck culture are making many people in rural areas flee from their native habits to adopt customs more indigenous to urban locales, giving rise to country rap with artists like Colt Ford. Jason Aldean’s country rap “Dirt Road Anthem” was the best-selling song in country music last year for example. At the same time, the power of pop country is causing similar gentrification in suburban and urban zones as it encroaches into areas it is not indigenous to either.

I’ve always found it perplexing how Americans generally look at the varying cultures of the rest of the world with interest and appreciation for their diversity, but seem to be unwilling to do so in their own country and community. Our differences are something that need to be resolved, whether by promulgating our political or religious beliefs on other people, or trying to promote our products or culture to people who it might either be foreign to or downright unhealthy for, usually for the purpose of financial gain.

Similarly there is a demonstrative focus on preserving rare or endangered animals and plant species, or historic buildings or artifacts. We will stop the whole of human progress for concerns over an endangered strain of the titmouse. But those rednecks living out in the rural part of the county need to understand that the old-school agrarian life is gone and they better contemporize or risk being branded closed-minded. Yes, many racist, judgmental customs should be a thing of the past, but not at the sacrifice of what makes these people and their customs unique.



When the American South was populated, many times by native Scots and Irish that brought their folk instruments and musical learnings with them, a vibrant tapestry bloomed all across the Southern region with distinct musical dialects representing the geographical and genealogical makeup of the areas where they were founded. As people moved West during the gold rush and the Depression, they carried their musical cultures with them that then intermixed with the landscapes and labor they found there, giving birth to even more individual musical dialects.

Many of these varying styles and dialects would come together at institutions like the Grand Ole Opry, and this in part was how the big umbrella of country music was formed. But the differences in styles was something that was always celebrated instead of something that was attempted to be resolved to increase the economic potential of the music. They understood that the loss of the diversity may result in long-term decay of the musical format, even though it may garner short-term financial gain.

Ironically, it is not the mainstream, nationally-focused musicians that say they want to destroy the diversity in American music. Many go out of their way to tell you how country they are, citing very specific artifacts of rural life to prove it, many times to take the sting away of the actual music itself being more rooted in rock or hip-hop modes. It is the roots-based musicians who do not have the benefit of the country genre’s industrial machine that tend to speak out and say that genres don’t matter any more; artists in the loosely-defined “Americana” world.

Meanwhile radio may be the the most-obvious place where our differences are disappearing. When Clear Channel cut hundreds of local positions at stations in rural media markets last year in favor of nationally-syndicated programming, this also disproportionately effected the rural/red zones that are so rich with cultural diversity. Just like rainforests and wild areas around the world that are held back from development in conservancies cited as being vital to ecological and economic sustainability, America’s rural areas as robust cultural generators are just as important in sustaining the overall health of the greater cultural landscape.

Things are always evolving, changing, and coagulating together, and wringing your hands over it in some respects is foolish. At the same time, if the “melting pot” theory of how America became the greatest nation on the planet is true, then there’s nothing more important than protecting that diversity for the long-term preservation of the world’s greatest economic engine and mouthpiece for freedom. And this would also be true in protecting the diversity of any country or region for them to live up to their greatest potential.

In other words, the destruction of America’s distinct musical dialects is not just a musical problem."

Tuesday, September 18, 2012

Hellbound Glory To Be Featured On NBC's - The Jimmy Lloyd Songwriter Showcase

Big news in the world of Hellbound Glory folks. As anyone knows who is a fan of underground country, roots and americana music, the fellas in Hellbound have been pounding mile after mile and winning over fans in every club they go into. They are just about to embark on a new endeavor by being featured on NBC's The Jimmy Lloyd Songwriter Showcase, which is a songwriter showcase in the round. Tickets are available so follow the links below and get yer asses to NYC and join in on the good time.

Support Real Country Music

Link to the Jimmy Lloyd Showcase on NBC



Hellbound Glory in neon lights, this is how real country should be.

"NEW YORK, NY--(Marketwire - Sep 17, 2012) - The Jimmy Lloyd Songwriter Showcase, a nationally syndicated TV show on NBC's digital network, will begin producing live events to complement its televised platform to bring much needed attention to talented up-and-coming musicians. The series will feature three songwriters on stage, each in turn performing a song and talking about the story behind it and its genesis.

Jimmy Lloyd will host the New York City based events and perform and will feature a rotating cast of up-and-coming and well-established songwriters.
The events will be filmed live for incorporation into episodes of The Jimmy Lloyd Songwriter Showcase.

The inaugural event will kick off on October 11th at Hill Country on 26th street in Manhattan and will feature Leroy Virgil of Hellbound Glory, Sean Walsh from the band National Reserve and Jimmy Lloyd.

"We're thrilled to be partnering with Hill Country Live for this event. Much like our TV show, the folks at Hill Country act as a launch pad for artists on the verge, staging the best songwriters and bands that you will soon be hearing about, and creating multi-media opportunities to catapult them to the next level. Our aim is to make this the premiere songwriting event in New York City," said Jimmy Lloyd.

Seth Rothschild, Assistant Director of Hill Country Live had this to add: "We're excited to be partnering with The Jimmy Lloyd Songwriter Showcase, and look forward to developing future events together. We are also beyond thrilled to be able to showcase bands like Hellbound Glory at our venue. They are dynamic, honest and soulful. They are right in the center of the bulls-eye of artists whose story we'd like to help tell: 'We've had 'em at our SXSW showcase and playing our NY and DC venues. Now, it's on to the Jimmy Lloyd show!' Hill Country will be very proud to host them in such an intimate setting.""


To attend this event, follow this link: http://jimmylloyd.eventbrite.com/


The Jimmy Lloyd Songwriter Showcase currently airs in the following US cities: New York, Philadelphia, Washington D.C., Chicago, Dallas, Miami, San Diego, Los Angeles, and San Francisco.

For more information on The Jimmy Lloyd Songwriter Showcase, please visit jimmylloyd.com

For more information and background on Leroy Virgil and Hellbound Glory, please visit hellboundglory.com

For more information and background on Sean Walsh, please visit, http://www.facebook.com/pages/THE-NATIONAL-RESERVE/116585918356020

For more information on Hill Country Live, please visit, hillcountryny.com

 
Hellbound Glory's, Leroy Virgil will be a featured songwriter on NBC's The Jimmy Lloyd Songwriter Showcase

Thursday, June 7, 2012

Wheels Through Time, New Photo Updates

About twice a year we will roll over to the Wheels Through Time museum in Maggie Valley and just gawk at the history and amazing bikes in their building. Every time I go through I try to find a new angle on the photos and see something new to shoot. As many times as I have been its getting harder, but luckily a plethora of their bikes change out and they are continually adding new pieces to their evolving collection.


Check out the Wheels Through Time museum

Old Picture cut out on the wall with Illinois License plate from 1930
Original Excelsior Motorcycle from Chicago, late 1918 or early 1920's
Superior Spark Plugs
Knucklehead and Panhead on the workbench at the Wheels Through Time museum
Harley Davidson pedal start single BA style engine from the mid 1920's
Vintage dirt track racing, photo of a photo
Indian split tank Chief dash
Indian Motorcycles gas tank

Wednesday, December 21, 2011

The Story Of American Folk Music Part 1

What is Americana? What is truly being "American"? For those of you whose grandparents or parents are first generation American, or second generation, how about this, take a step back and think on why your family emigrated here. For those of us whose families have been here for hundreds or thousands of of years, we need to step back and analyze why and who we are in the midst of this new history, for which we are our own guides. Our brick and mortar familial foundations, have become the binder to build upon these great shores, but it is within all of us to become something bigger.

To become something bigger, I believe is the tenement of Americana Folk Music. The notion that the greater good or the vast amount of folks want to create a change that is for the benefit of society as a whole. Was Bob Dylan wrong in saying "There's no black and white, left and right to me anymore; there's only up and down and down is very close to the ground. And I'm trying to go up without thinking about anything trivial such as politics. They has got nothing to do with it. I'm thinking about the general people and when they get hurt." 

It is these notions which drive change. The type of change which is felt within music, within creativity and within politics. So ya wanna make change, dig within yourself to start.

This type of change defined what we know now as the American movement

Sunday, November 27, 2011

Original 1965 Shelby Cobra With 427 CI Motor At Bob's Big Boy In Burbank, CA

How often do you get to see an original Carol Shelby Cobra and one that is being driven, not too often. We spotted this one at the longest running car show in the US, which happens to be at Bob's Big Boy in Burbank, CA every friday night since the 1950's.


Bob's Big Boy in Burbank, CA on a typical Friday night
Original 1965 Shelby Cobra with 427 CI motor
Original 1965 Shelby Cobra with 427 CI motor
Original 1965 Shelby Cobra with 427 CI motor
Original 1965 Shelby Cobra with 427 CI motor








































































The Bob's Big Boy Restaurant located at 4211 Riverside Drive in Burbank, California is the oldest remaining Bob's Big Boy in the United States. Built in 1949 by local residents Scott MacDonald and Ward Albert, it was designed by noted Los Angeles architect Wayne McAllister, "incorporating the 1940s transitional design of streamline moderne style, while anticipating the freeform 50s coffee shop architecture. The towering Bob's sign is an integral part of the building design and its most prominent feature." The building is said to have "made McAllister's reputation", and he is credited with creating the restaurant's circular drive-through design.

The restaurant was designated a California Point of Historical Interest in 1993. McAllister worked to preserve the structure as a historic landmark. McAllister was the architect for the original Lawry's restaurant on La Cienega Boulevard in Beverly Hills and the original Sands Hotel casino and Desert Inn casino in Las Vegas. He designed some 40 coffee shops in the Los Angeles area in the late 1940s, and each with a distinctive look. 

The Bob's Big Boy building represents a distinct period in the region's architectural history, often referred to as Googie architecture. Creative coffee shop designs started in Los Angeles because of the popularity of automobiles, and then spread across the nation. The building features curving windows and oversized roof overhangs with 1950s "free-form" style of cantilevered roofs and tall display signs. 

The Riverside Drive Bob's Big Boy was designed as a drive-in, in which carhops brought food to the cars, and now has a drive-thru window. 

On 14 December 1980, the restaurant on La Cienega Boulevard was the scene of a violent crime: Nine employees and two customers were forced at gunpoint into the meat freezer, where four people were shot dead and four others were wounded by armed robbers, one of whom was a former employee who was fired months earlier for making false claims of occupation-induced injury. ABC's 1986 telefilm The Right of the People was said to have been based on this case, since all of its victims were unarmed and questions were raised about the outcome if any of the victims were armed and able to fight back with handguns (e.g. if the Second Amendment to the United States Constitution means armed self defense for private citizens who are not members of organized militaries or militias). 

The MacDonald family acquired the restaurant in 1993, rehabilitating the tower sign, adding a patio and remodeling the dining room. Carhop service was reintroduced on weekends and a weekly classic car show is hosted in the parking lot.

Bob Hope and other movie personalities such as Mickey Rooney, Debbie Reynolds, Jonathan Winters, Dana Andrews, Martha Raye, Alexis Smith and Craig Stevens, were once regulars at the restaurant. Hope frequented the Burbank drive-in because it afforded him privacy. 

Famed British musical group The Beatles dined at the Burbank location during their 1965 California tour. The table is the last booth on the right as one walks in, where the end of the windows facing out toward Riverside drive stop. For many years a plaque described the event (the plaque has been stolen many times by fans, and has been replaced each time. Many regulars to the restaurant call this table and booth "The Beatle Booth".

Bob's Big Boy famous sign in Burbank, CA

Wednesday, October 19, 2011

Fifth On The Floor, Video By Judd Films

Last week Hellbound Glory was rollin' through Kentucky and had a chance to play with Fifth On The Floor again. Check out the latest video from them which was filmed by Blake Judd of Judd Films. Amazing song and film work, looking forward to a lot more from both camps.


Tuesday, September 27, 2011

Fuel Magazine Issue 8

The folks down under at Fuel Magazine have just wrapped up Issue 8. Read below for more info and on how to order the latest and greatest from those folks.

Issue 08 is now here and on sale through our online store. It will be on newsagents shelves in Australia next Friday, 7th October. If you don't want to buy online, and you can't wait until it's in the shops, we'll be at the Chopped Rod & Custom Show this weekend. Issue 08 'Americana' is dedicated largely to our first Fuel Magazine trip to the States earlier this year. We got behind of the wheel of the Hotchkis Challenger, visted Viva Las Vegas, as well as some cool loactions around LA. 

On top of the great things we saw and experienced, we have contributions from some fantastic Amerian photographers throughout the issue. Marc Gewertz sent in photos of his brother Coby's awesome Church Magazine van, Peter Vincent takes us on a visual journey to the Bonneville salt flats, and we have some amazing pin up and fashion photography from contemporary photographers Shane McCauly and Vara Pappas. 

Top this all off with a Max Grundy feature! The issue is now bigger than before, with a higher page count, and an increase in thickness of about 20%. It really is packed with great stuff. To see for yourself, check it out online and it'll be in the post out to you quicker than you can say Americana.




Jay Berndt - Sings Waylon For Jessica

To say that we are excited just might be a huge understatement when it comes to finally releasing Jay Berndt's new album "Sings Waylon For Jessica". This whole project started as a christmas gift a few years back and from there spiraled into a much larger endeavor as we kept tellin' Jay that he should release it for the masses. 

Being the perfectionist and amazing talent that Jay Berndt is, he went in and revamped all the songs to make them linger in playlists for many years to come. This batch of songs is one of those that will stick to your head like wet hair on a hot and humid summer day and then instantly cool ya off like the first ice cold beer of the day. 

Do yourself a favor and check out these songs, we know that Waylon would have been proud. Order the Album now

From Jay on the recording of the album:

"My two previous bands, the Revival Preachers and the Brimstone Assembly always played Waylon songs. I just love his voice and his delivery; he just sounds so honest and sincere. Plus that beat! That four on the floor stomp... Nobody else in country music could do it like Waylon & The Waylors. And really no one has done it better. So whenever we played one of his songs live, my wife Jessica would always ask “Was that Waylon?” and I would remark that we should record some of his songs. Well, I never got around to recording any of them when those bands were in existence. So I decided that I would pick some of her favorite Waylon songs, play all the instruments myself and give her the CD as a Christmas gift. So I began the project in September 2008 and could only record when she was at work on weekends or very early in the morning during the week. I remember cutting the harmony vocals for “You Can Have Her” at 5:00 am and wondering how the hell I didn’t wake her up! I brought in my good buddy Damien Puerini to play all the amazing guitar leads and bring the whole thing together. I was putting finishing touches and mixing it as late as 11:00pm on Christmas eve, just trying to get it all done. None the less, Jessica loved it. She smiles every time she hears those harmonies on “You Can Have Her” and that means the world to me. I think it’s one of the best gifts I had given her.

Now it’s our gift to you. I hope you enjoy it."

Track Listing
1. Lonesome On’Ry & Mean
2. Only Daddy That’ll Walk The Line
3. Black Rose
4. Cedartown, GA
5. The Door Is Always Open
6. Ramblin’ Man
7. Loving Her Was Easier
8. Ain’t No God In Mexico
9. The Taker
10. Rainy Day Woman
11. Freedom To Stay
12. You Can Have Her





Tuesday, September 20, 2011

Ryan Bingham At Austin City Limits

We might be a bit late to the Ryan Bingham party after seeing and hearing his tunes as part of the great country movie Crazy Heart, starring the Dude. What the hell does that matter though. Ryan Bingham is one dude with an amazing voice and playing ability, just have a look at this clip from this week at Austin City Limits.


Monday, May 16, 2011

Jay Berndt - "Only Daddy That'll Walk The Line"

It's no secret that we have a great project brewing with Jay Berndt and it should receive quite a few accolades. Jay started this project pure and simple, as a gift. From that honest background and recording the songs in his Moto Destructo he was able to take the time and refine his ideas about giving the songs  his own twist and sound. This album will be a downloadable only version and available through Itunes, Amazon, etc and we are shooting for a mid June release date.