Wednesday, August 14, 2013

Money, Power, Sex and The Art Of Mark Wagner

How we understand art is a matter of perception. One person might look at these pictures below and immediately ask how much money did he spend to make each piece. A bigger question in my mind is when was the departure point to which Mark Wagner knew that he could cut up tangible US currency and turn it into something more powerful? Our brains are hard wired to operate on many levels and rationalize cognitive thought through the power of association. Check out this Wired article for more info about how the human brain functions.

These collage pictures are profound in the sense that it immediately grabs our attention due to the perceived value of money. When someone says that a Picasso is worth however many millions, we can sort of justify that rationale based upon him being referenced in most every history book written about modern art of the early to mid 20th century. 

Mark Wagner does something truly unique in these collage pieces. He only uses printed US currency and each collage is based around the central relationship of influence and power. Strip away the medium used and they are just truly interesting portraits and narrative collages. Factor in the perceived value of US currency and these pictures are epitome of true art.



View the post below on This Is Colossal

Abraham Lincoln created out of $1 dollar bills
Abraham Lincoln created out of $1 dollar bills - detail
Tyrannosaurus Rex and George Washington, college from $1 dollar bills
Tyrannosaurus Rex and George Washington, college from $1 dollar bills
George Washington collage from $1 dollar bill
Portraits of Barack Obama and Mitt Romney made from US currency
George Washington and his clones sailing through the sea of bills
George Washington and his clones sailing through the sea of bills - detail
Collage story telling with US currency as the medium
"Brooklyn-based artist Mark Wagner (previously) has been referred to as “the greatest living collage artist” and even “the Michael Jordan of glue”. The artist has a wide variety of artistic pursuits from writing and artist bookmaking to drawing and assemblage, though he is probably best known for his intricately cut and assembled currency collages using the one dollar bill. From his artist statement:
The one dollar bill is the most ubiquitous piece of paper in America. Collage asks the question: what might be done to make it something else? It is a ripe material: intaglio printed on sturdy linen stock, covered in decorative filigree, and steeped in symbolism and concept. Blade and glue transform it-reproducing the effects of tapestries, paints, engravings, mosaics, and computers—striving for something bizarre, beautiful, or unbelievable… the foreign in the familiar."

Tuesday, August 13, 2013

Muddy Roots Pre-Party With Hellbound Glory and Husky Burnette

It's official folks, the pre-party at Muddy Roots in our lounge is going to be Hellbound Glory and Husky Burnette. So all yall planning on arrival for Thursday August 29th, we have ya covered with some great music lined up! Whoohooo!

Hellbound Glory and Husky Burnette playing the Rusty Knuckles lounge at Muddy Roots 2013 on 8.29.13

Ever Wonder Who Does Some Of The Pinstriping For Gretsch Guitars?

Ever wonder who does some of the great pinstriping that you can buy on a Gretsch Guitar, fresh from the factory. Look no further than Hot Rod Walt of the Psycho DeVilles.


Hot Rod Walt laying down the stripes on a fresh batch of Gretsch Guitars

Bands We Are Stoked To See At Muddy Roots

Muddy Roots is rolling up fast and as we are steady in our preparation mode. Here some of the bands that we are really pumped to see in no particular order. Now for all y'all that heading to Tennessee for the event, roll on through our lounge and store booth as we will be setup all weekend. Also of note, all the bands that are on Rusty Knuckles Music in attendance, will be hanging out, having drinks and talking shop with impromptu jams all weekend. Needless to say our lounge will be buzzing all weekend so come on over and say hello. 











Phil Anselmo Speaks On His New Album, With The Classic Metal Show

As a die hard Down and Pantera fan, just about any project with Phil Anselmo involved I will check out. Never resting on his laurels and forever on the hunt to create new material is what makes the dude so damn good at his job. The releases they put out with Housecore Records are always on point and heavy as can be. Stoked for sure on the new solo project and really wish the tour was coming through our area. 

Dive into Housecore Records




"The master of all things heavy, Philip H. Anselmo, has returned with the very first solo album of his illustrious career. Years of fronting the legendary PANTERA and hard rock titans DOWN have propelled the vocalist to stardom and with 'Walk Through Exits Only,' Anselmo and his backing band, THE ILLEGALS, have created a truly heavy, angry monster that merges the visceral aggression and power of PANTERA with the devastating thrash and Southern sludge that Anselmo and the NOLA scene pioneered. 'Walk Through Exits Only' is an essential metal album from one of the genre's most iconic names!"

The 15 Most Hated Bands Of Last The 30 Years, From Salon.com

What is it about certain bands that some folks love so much and they go on to sell ungodly amounts of albums? Then for as many fans that love them, their detractors seem to number just as many. 

Any true art form always walks a razor thin line between love and hate. Just ask someone that has a passing understanding about modern art and mention the name Jackson Pollock. His abstract paintings have left a legacy and an infamous nickname "Jack The Dripper," along with a true point of contention of what modern art actually represents. 

This communication breakdown is where intellect, choice and pop culture battle one another in a war to which there really isn't a clear winner or loser. Unless you are the artist on the other hand and your career and legacy are at stake. 

Time heals all, but I still cannot forgive Kiss for their disco album. Chasing trends is understandable, but a disco album? That is just plain heresy for a rock n' roll band. Read on below to see what bands folks truly loathe.

Check out the post on Salon.com 

Kenny G, the soundtrack to your next root canal.
"In order for something to be hated, it must first be loved; that love is what gives the hatred its roots. There will always be those unfathomably popular bands and singers that get an inordinate amount of airtime, and are loved by obsessed, cultish fans, only intensifying the hatred of those who realize one objective truth: that when you get down to it, the music isn’t even good. In fact, it downright sucks.

In the last week, Rush and the Eagles have been reappraised and argued about on Salon. We wondered which recent bands we might all be fighting about in 20 years. (When, by the way, they’ll still be terrible.)

Nickelback
Hating Nickelback used to be cool, but it’s so easy that it’s kind of just a fact, now. It’s sort of like hating Jonah Lehrer, partially because, like Lehrer, Nickelback plagiarizes itself and somehow still has fans. Oh, and also, Nickelback sucks.

98 Degrees
 Even in the 1990s, there were only so many mock turtlenecks and cargo pants the front cover of Tiger Beat could handle before fans revolted against the fashion. In a musical genre already dominated by the Backstreet Boys and ‘N Sync, Nick Lachey’s ersatz boy band never really had a chance.

Smash Mouth
 Smash Mouth is what would have happened if Limp Bizkit made love to a Lisa Frank poster. In theory, that sounds kind of amazing. In practice, it is not.

Black Eyed Peas
 If the Black Eyed Peas, the creators of nonsensical hits like “Boom Boom Pow” and “My Humps,” qualify as music, then any kid with a Barbie Mix It Up DJ Turntable is Mozart. Who needs vocals when you’ve got auto-tune?

Insane Clown Posse
 “The Most Hated Band in the World” gave birth to the most obnoxious fans in the world, the Juggalos, who are virtually a gang at this point. But at some point, founders Violent J and Shaggy 2 Dope sort of lost their way and now this is all that’s left of them:


Hootie & the Blowfish
If music on the radio in the early 1990s all sounded the same, that’s because it was All Hootie & The Blowfish, All The Time. The band’s bland music had no real edge and just enough melody to have comfortably become background noise, except then the booming baritone voice of Darius Rucker came on and bore into your skull like a drill. Twenty years later and chances are that you can still hear Rucker rattling around there in your brain.

The Goo Goo Dolls
 Interchangeable with Matchbox 20, but technically not Matchbox 20. They are allegedly a different, other hated band.

John Mayer
John Mayer is that insufferable bro — you know, the one who wears a pukka bead necklace, is always shirtless, toting around a guitar at that house party you didn’t want to go to, anyway. He’ll suck the humor out of a joke and ruin the punch line every time, but no one else seems to care, because he’s a shirtless bro with a guitar. He probably likes Dane Cook. And misogyny.

Dave Matthews Band
Thirty-something adults who now now roll their eyes at Drake’s “YOLO” are no better: Chances are good that they used to follow around the cultish Dave Matthews Band 10 years ago, imparting profound, oft-quoted wisdom like “eat, drink and be merry” and “life is short but sweet for certain” while living it up in the suburbs and broadening their worldview by sneaking in SoCo and taking road trips to the Jersey Shore.

Creed
Listening to even one song by Creed invokes a sea of nausea, as if your brain is fried from watching “Two and a Half Men” reruns for 24 hours. As Spin magazine put it, they’re like “Nickelback before there was Nickelback.”

Train
Basically the Goo Goo Dolls of the next millennium.

Phish
Reflecting on Phish’s 30 years of music, Grantland’s Steven Hyden puts the problem best: “In order to like Phish, you must consciously decide to like Phish.”

Limp Bizkit
Limp Bizkit is one of the rare band names that could not be made any more ridiculous if it were spelled “LiMp b!ZKiT,” an observation that makes the band’s unchecked anger so hard to take seriously. I mean, really, was the “he-said-she-said bullshit” that rage-inducing, Fred Durst?

Blink 182 
Blink 182 began as an attempt to wean tweens off of boy bands, except they soon turned into self-parody when teenagers began to like them in earnest, ushering in an unforgivable era of wannabe-pop-punk rockers like Good Charlotte, Avril Lavigne and Jimmy Eat World.

Lana Del Rey
It’s not that Lana Del Rey is bad, per se, it’s that her music seems fraudulent when compared to the ’60s-era musical acts she’s invoking. Her emotionless performance on “SNL” cemented her reputation as robotic, the product of overly manufactured pop perfection. She’s another reminder that we live in a post-Black Eyed Peas era.

Dishonorable Mentions not on this list: Kid Rock, Linkin Park, real Matchbox 20, Spin Doctors and Blues Traveler … rest assured you are all hated, as well."

Monday, August 12, 2013

Do Ya Live In Southern California? If So Check Out Grump's Garage


"When it comes to loyalty of the underground country music scene, few come correct like Mark Carrillo does. Coming up in the southern California car scene, Mark toiled away under the hoods of countless rat rods, street crusiers, and maybe even a Japanese model a time or two (money was tight).

After working in various custom shops and for someone else, the punk kid all grown up decided to take the plunge and do his own thing: Grump’s Garage – the candy store for any rockabilly, gearhead, Gas monkey and underground country die hard.

Featuring a wide array of new parts for your classic car project, and a bunch of used ones as Carrillo puts it: Even if the kids want to do that rat rod thing, we’ve got a whole section of used stuff. Anything to get young kids interested in old American cars.

Grump’s Garage is essentially a gigantic Hobby Lobby for anyone with a neck tattoo and a few Social Distortion shirts in their dresser, and how cool is that? From a helpful, like minded staff, and an owner who gets it, that’s how a business becomes a major success.

But what makes Grump’s Garage standout is Carrillo’s undying love and championing of all types of underground music. His selection started off with three cd’s, and now music is 40% of the store’s shelf space.


Aside from various odds & ends and some random antiques, Carrillo’s ultimate goal is a show space in the back of the store: a location somewhat akin to Daytrotter or NPR’s small studio sessions – a backyard celebration set up for 40-60 listeners to sit down and see some of their favorite musicians come and do a stripped down, intimate set. The set will look like an old gas station, and set in that storied California weather. Add in some grills going, and a few cold beers, and you’re pretty much just south of what many of us would call heaven.

For a guy who says he can’t “tune a radio” it’s pretty remarkable how much love and effort he’s given to music.

When asked about the overall vibe of Grump’s, Carrillo gives the best answer:
Well, I wanted to give them music that anyone who works on old cars in their garages would want to hear. From rock n roll, to rockabilly, to roots music, whatever. It’s about the vibe.
 
That’s a poignant way to describe what some would call an adult hobby shop while others see it as Mecca to all things cool. Grump’s Garage hosts a variety of shows and opens their doors to many musical troubadours coming down the California coast. But, Carrillo isn’t done, and the show space isn’t the only thing he’s got up his sleeve.



Eventually, I’d love to buy the building next door. My best friend does 50’s style hair cuts, and I’d love to get a tattooer in there. Have two separate shops. One for music and junk and the other strictly cars.

Whatever it is that Mark Carrillo and Grump’s Garage are tapped into, it’s seemingly perfect. There’s nothing that anyone who loves cars, and music that couldn’t find themselves in a perfect place in sunny, southern California kind of way.


I Ain’t Got No Body, A Spooklights Tale

If you dig the music of Stevie Tombstone, stay tuned for more updates as he posts them from his travels and anecdotes on life. Stevie has an archive full of stories from a good number of years as traveling musician. He will be adding context, photos and time lines to help flesh out his journeys.

"Its funny how some songs get their start and this one has quite a history. When I was a child my Grandmother on my Moms side used to sing us to sleep when we stayed in the mountains of North Carolina.
Popular culture and folk culture were surrounding us in every way. One of the songs she sang was taken from spooklight story and a little bit of popular song at the time {I’m just a Gigolo}. She told us the tale of the conductor/brakeman who had lost his head and searched for it forever on the railroad tracks. She said that the lights in the night was his lantern searching for his head in the dark. We would surely stay in bed and hurry to sleep when she sang out “I aint got no body ,no body seems to care for me”. I somehow felt sad for him instead of in fear. I always pulled for the underdog.
Years later while forming the band the Tombstones I concocted a song out of her melody and tale not knowing it would follow me the rest of my life. It appeared on the compilation Make the City Grovel in its Dust,the EP Grave Matter,the EP Preachin Prayin Guitar Playin and later on Twang from the Grave.
One night after opening for the Lords of the New Church in Atlanta I crossed paths with frontman Stiv Bator.There was a mixup backstage and Brian James had accidentally taken my telecaster. When I entered their dressing room to retrieve it I discovered I had crashed and impromptu birthday party for Stiv. His Mum had flown in for the occasion.I ran to the van and grabbed a copy of Preachin Prayin as a birthday gift ,presentedit and got my tele back after a few drinks and cake. Stiv like the EP so much he recorded a version of Nobody for his project with Johnny Thunders and Dee Dee Ramone the Whores of Babylon. I had no idea until quite some time later when a good friend and fan alerted me .
It was quiet a shock and honor and Stiv had since passed away. So thats the story of how a little lullaby form childhood turned into a punk “hand me down” ballad.
Here’s a good source for info on the Gurdon Lights from ABOUT.COM this is perhaps the closest approximation that fits her story. “This ghost light has been seen by hundreds of witnesses who live near or travel to the area around this small Arkansas town about 75 miles south of Little Rock. Seen along a stretch of railroad tracks, this light is also explained with the “headless brakeman” legend. Because of its remote location (you have to hike about 2-1/2 miles off the road to the spot where it can be seen) auto headlights have been eliminated as a possible cause. Those who have seen it say it is usually white or blue in color, and sometimes orange. One distinguishing feature is that it has a distinctive border to it.”"

Sunday, August 11, 2013

It's A Long Way To The Top If You Want To Rock N' Roll

This is what being dedicated to your craft is all about. Hellbound Glory lives, breathes and does whatever it takes to tour around the country and make the show happen. Best part is them pulling into Michigan to play on stage with Kid Rock and ZZ Top last night. Life is right in front of you, go make it happen or forever be stuck on the sidelines.

Support Real Country Music!

Hellbound Glory tours any way they can, what are you doing?

Is Jeff Bezos The Future Face Of A News Leader?

The sale of the Washington Post to the CEO of Amazon, Jeff Bezos is quite interesting in a plethora of ways. Amazon disrupted the e-commerce system through fast shipping and a never ending assortment of products. Ebay once reigned king online, but feels dated in comparison to the power of the Amazon market place. The variety and options for items, far outweigh ever having to go to an actual store, for absolute convenience. 

As a independent record label working our best to help bands gain a foothold with new albums, there are many lessons to glean from Amazon and Jeff Bezos. One of the primary goals of Rusty Knuckles Music is that we will succeed in the long haul. I don't operate in the mindset of a get rich quick scheme, as it lacks a true end game. Calculated risks are what I enjoy and I don't gamble on frivolous endeavors such as the lottery, slot machines or poker tables. I calculate numbers and ideas on a plan of action with albums and the right individuals. Music is a tangible product that people truly need. They may not know it until the right song comes on, but music is our heart beat.

By focusing our goals on the long haul, success is measured and attainable. Our content, such as this particular news feed, is based on the elements we enjoy in parallel to the music that is being distributed. The bands within Rusty Knuckles Music focus on the long view, as a one hit wonder is the music industry of yesterday. Commercial radio and chain music stores aren't our audience. They could have been, but that time has come pass and new media is our voice, loud and clear.

Our infrastructure is based upon being honest with the bands, customers, vendors and most of all the relationships we create within our network. One great aspect of the network is the ability to find truth in what is being reverberated. I see this almost as a form of detective work in the need to find the elements that have a semblance of reality. Don't forget this is the entertainment business and "Fake it til you make it," is definitely lived and practiced by many along with endless name dropping. Those notions are as shallow as a kiddie pool and as believable as buying a coffee farm in Belize, from your spam account.

I look at folks such as Jeff Bezos and Richard Branson in the business world as a compass to follow. Understanding that the sale of the Washington Post is a brilliant end game strategy is exactly what I enjoy reading about and look forward to how the company evolves as a respected news source. 

Thanks to everyone that has purchased items from us, had a cold beer and talked shop at a show and most of all to all the bands we work with. These relationships separate the wheat from the chaff and build a strong and nimble community.

Check out the article on Mashable.com


The face of news might change for the better, with new leadership at the Washington Post
"What's intriguing about Jeff Bezos, who purchased The Washington Post this week, is not that he's a digital guy or that he has a lot of money — though both certainly help — but that ever since he founded Amazon, he’s specialized in the long view. 

The company lost money for nine years, and Bezos continues to prioritize long-term investment over near-term profit. That's how great, enduring companies are created or transformed — by building strong infrastructure, products, brand and relationships with customers. And to their credit, Amazon shareholders are rewarding this strategy and vision. They know there will be time enough to see returns on these investments, returns that will reflect the massive value Bezos is building.

By contrast, too many news companies have been paralyzed by the tyranny of short-term horizons. Media executives under-invested in digital not because they were stupid but because it was actually more rational for them to focus on slowing the decline of their traditional revenue lines — more rational, that is, in the short run. In the long run, of course, that thinking is suicidal. 

At way too many newspapers, we've seen a decline in the quantity and quality of journalism — the kind of reporting that keeps in check government officials and others with power, the kind of journalism that's as vital to the health of our democracy as it ever was. One indirect measure: The number of newsroom jobs dropped from 52,600 in 2007 to 38,000 in 2012, according to the American Society of News Editors.

As bleak as the industry sometimes seems, the news media can be profitable — but only if companies better serve their customers, transform their business models, and alter their financial time-horizons. That includes having the kind of patience that Bezos demonstrates at Amazon. Outlets that cut back on basic services — especially reporting — will improve their near-term quarterly profit, but squander the future.

At Amazon, Bezos didn’t just “crack the digital code” in a technological sense; he understood how the Internet changed the economics of serving consumers. And while he looked at the long run, he also pursued the long tail. Amazon mastered the capacity to provide products and services not only for the big sellers but the smaller ones, and not only for buyers who want to buy the biggest selling products but also consumers with unique interests. He did this, for instance, by deploying technology to improve the economics of low-volume sales. With infinite shelf space, he built a business that offers everything to everyone, something you couldn't do in a store — even a big box retailer.

Implicit in the mastery of the long-tail strategy is the idea that a big company can serve each customer with precision, in part by deploying sophisticated data analytics and in part by using technology to efficiently deliver good service to small numbers of people. That is an anathema to some in “mass media,” but news outlets need to embrace that approach if they're to serve readers with enough value to regain relevance. 

For instance, when a newspaper writes a series about local schools, it provides the same information to every reader. When a newspaper creates a searchable database about the quality of local schools, and gives each reader the ability to select the variables they care most about, then the paper is tailoring the reporting to each reader. One database creates a thousand stories. 

This is not to say that a news outlet's strategy should be to offer everything to everyone, but there are no doubt opportunities for the Post to offer more news and information to more people — for example, by becoming the world's leading news outlet covering policy and politics, not only in Washington but in capitals around the world, and covering more topics more deeply. Sure, that would be expensive, but the relevant market for Internet companies today is the world's population, not just the U.S.'s — why not the same for news outlets? 

Newspapers, like TV stations, never got away from the artificial boundaries drawn by their distribution technologies — for newspapers, the reach of their physical distribution and for broadcasters, the reach of their antennas. Now they can imagine distribution patterns focused on topic or audience rather than just geography.

News organizations have to figure out ways of serving a wide range of readers and viewers, and in deeper ways — not merely pitching to either the lowest common denominator or the most affluent (the two safest business models). Financial journalism is doing well, as are celebrity slideshows. 

What’s hurting is labor-intensive reporting on whether, say, city hall is squandering money, the zoning board is ruining a neighborhood, or police are killing innocent people. This kind of reporting takes money, patience, and the belief that these civically worthy endeavors will create such good will with the customer (and local businesses) that the company will benefit in the long run.

Finally, Bezos is an intriguing media mogul because he’s succeeded at getting consumers to pay for things — as he did with Amazon Prime, a monthly subscription that includes unlimited free shipping, an online video service and more. For decades, the newspaper publisher has focused on gaining advertisers. 

Now, publishers must be just as focused on creating products that readers or viewers will pay for. Although most of the debate has centered on paywalls, media should contemplate a much wider range of products: hosting events, publishing e-books and Kindle singles and streaming footage of high school sports, to name a few. News media need to be asking themselves: Why didn’t we invent Angie’s List, Monster.com, fantasy football or other products that are generating revenue in areas that newspapers used to dominate?

The good news for Bezos is that he's acquiring one of the strongest traditional news businesses, certainly measured by commitment to principles of journalism and the value of hard reporting. (And Don Graham, the chairman and chief executive of The Washington Post Company, saw the digital currents coming and kept the ship afloat and sturdy through a tough storm — no small task.) It’s exciting to see one of the men who made his fortune in the digital disruption turn his attention to reinvigorating one of the potential casualties of that turmoil. 

We don't know if Bezos bought the Post as an act of altruism or business genius, or something in between. What we do know is that, at Amazon, he learned, and taught, the right lessons. “The three big ideas at Amazon are long-term thinking, customer obsession, and willingness to invent,” Bezos said recently. Precisely the ones the news industry now needs."