Thursday, September 5, 2013

Stories woven into the songs on Greenwood, From Stevie Tombstone

Stevie Tombstone has started to deliver many of his road weary tales from his new tumblr page More Tombstone Tales. We will be re-posting them on this end as well so keep up with ol' Stevie and have a read on what has made him into the well regarded old soul that he is.

Legendary blues man Johnny Shine
"There are often little things that get overlooked or left out of the behind the music type postings and interviews. Trivial to some or too technical for those who are outside the craft. Often the inside jokes and surprises are the best because they are real.

Heres an example you may find interesting, shortly after the eventful trip to Greenwood Mississippi with Rick Richards and Johnny Shines  Before his death I had the pleasure of becoming friends with Johnny and his family to some degree. I played several other shows with him and Jeff Johnson  around Tennessee and Alabama. Johnny enthralled audiences with tales of his younger days traveling with Robert Johnson and claim to the last undocumented Johnson tune.I remember him bursting into my hotel room at 6 am one morning in brand new pinstripe suit guitar in hand exclaiming ” get up white boys and break out those fancy new guitars”. Hungover and bewildered we broke into Sweet Home Chicago out of a dead sleep! You can make up stuff like that and they don’t make characters of his caliber anymore .

Being young and outgoing I was often guilty of stepping on the songs with occasional overplaying and or “rushin” it as he would say. Johnny would send us off with is guitar two sheets in the wind out side to to the dressing room with instructions to tune it to various keys, mostly hard to decipher and usually we just scratched our heads. The key most requested was open A flat. This was not a common tuning and the answer was simple but too simple to see the woods for the trees. His goal was accomplished however by keeping us off the stage for a few songs.

Years later while working on the song Greenwood  realized the answer was very simple and only required a new point of view A flat = G sharp in music terms. He had had the last laugh long after his passing. All we needed was a capo and some humility. The characters in this tale are woven into the last verse of the song Greenwood and Its been recorded and arranged in Johnny’s favorite key of G sharp."

‘“Me and Richards we dont talk about it, Johnnys in the mansion in the sky”

Stevie Tombstone

The Definition Of Sacrifice Video Series


As we pass through life, it's as if a seamless stream of contacts, friends and randoms weave into the fabric of our existence. Some of these connections will be around for a long time to come and some are around for only a short span of seasons. These folks might drop away as if they are passengers only going to the next stop on another journey all their own. But that is the beauty of life, as the only constant, is change.

Within the groups navigating the channels we cruise through, you may be lucky to meet a few that go above and beyond. Many of the individuals you get to know have stories to be told, that are beyond a reality you may personally know, making it feel fabricated and unbelievable. Yet these stories were lived and need to be remembered. 

Hard work, timing and talent paired together, forge individuals into true grit character. Now is the time for the men and women that signed up to put their lives on the line to be heard. Let them come into our living rooms, smart phones and office computers through narrative stories and relive what they have done for the definition of sacrifice.

A buddy of ours, Chris Daidone has taken on a new mission. He is well known for his automotive photography and now he is documenting the characters who have been the protectors of our country. 

Find out more information and get in touch with Chris if you know of individuals that want to tell their story:

info@thedefinitionofsacrifice.com

Check out Definition of Sacrifice on Facebook



The Definition Of Sacrifice - Helping Combat Veterans Heal By Telling Their Story from The Definiton Of Sacrifice on Vimeo.

Billy Don Burns Feature Write Up In The Hearld Mail

Billy Don Burns in the center flanked by J.B. Beverley and Buck Thrailkill - photo by Lance Dawes



Order your copy of Billy Don Burns album on cd

Download Billy Don Burns from Itunes

Link over to the Hearld-Mail

"Singer-songwriter Billy Don Burns is a man whose name is synonymous with the country music “Outlaw” movement — but to only the truest of diehard fans.

Unlike his cohorts — Johnny Paycheck, Waylon Jennings, Willie Nelson, Merle Haggard and the like — Burns’ career has mostly been known to those who first discovered him through his songwriting before listening to his distinctive velvety voice with gruff overtones.


But it seems at age 64, Burns is finally getting recognized for his work, as a younger generation is discovering the outlaws’ music for the first time.

Those who want to discover Burns’ music can do so at two gigs this weekend — Friday, Sept. 6, at The Unique Bar & Grill in Blue Ridge Summit, Pa., and Saturday night, Sept. 7, at Bentz Street Sports Bar in Frederick, Md.

Opening for him will be Hagerstown’s Joshua Morningstar, who Burns predicts will be in the business for a longtime because “he’s a hard worker, talented and a nice kid.”

Born in Arkansas, Burns said music for him started like it did for many country music singers.

“I started out in church like a lot of country boys did, and graduated to honky tonks,” Burns said while on the road from Chattanooga, Tenn., to Little Rock, Ark. “And never got out of it, you know. It’s been good to me really. Not easy but good.”

But music wouldn’t become a career until he was in the Army and was in a talent show in front of an audience of 3,000. One of the judges was Don Grady from “My Three Sons,” who presented him with the trophy.

“I was shocked that I won,” he said. “It was a big deal to me.”

He moved to California in 1970, about the time he decided to become serious about songwriting. A year later, Haggard published a couple of Burns’ songs. By the time he got his “first cut” by Connie Smith, “Be All Right in Arkansas” in 1973 for Columbia Records, Burns had moved to Nashville, Tenn.

But he didn’t feel like he made it until Willie Nelson cut one of his songs in 1991.

“That’s when I realized it was the right way to go,” he said.

Burns said the respect alone of having Nelson cut one of his songs, “(I Don’t Have a Reason) to Go to California Anymore,” was enough to catapult his career. The song appeared on Nelson’s last album for Sony Records, “Born for Trouble,” and was poorly marketed.

Burns said at the time he and his friend, Jerry Laseter, were seeing success in their songwriting careers. Laseter, though, had penned the No. 1 hit “Down on the Farm” for Tim McGraw.

Laseter had asked Burns one day to take him to the airport, with the deal that Burns keep Laseter’s brand-new Jaguar for the weekend — as long as Burns picked him up on Monday. Burns agreed.

But before he left, he said they had a exchange. Laseter wanted to know what it was like to have a Willie Nelson song. But Burns wanted to know what it was like to have a No. 1 song.

“‘Aw, it’s great,’” Burns remembers Laseter telling him. “‘It ain’t no Willie cut, though.’ Saying that a Willie cut will give you more respect than you had before.”

Although Burns has penned hundreds of songs, he never wrote a song for his buddy, the late Waylon Jennings.

“I never played Waylon my songs. When I used to hang around him, everybody was a fan of his. (Kris) Kristofferson, Harlan Howard, Jack Clement — they were these greats (songwriters) hanging around pitching their songs. I didn’t have the confidence in those days.”"


Billy Don Burns featured in the Hearld Mail from Hagerstown, MD

Wednesday, September 4, 2013

Husky Burnette Featured On Itunes Blues For Two Weeks Now

Husky Burnette featured as main artist on Itunes Blues page for week #2

To say that we are stoked to be seeing Husky Burnette front and center on Itunes Blues page is an absolute understatement. This is a hard fought battle for recognition and exposure for a guy that makes his living as a musician.

I knew the album was great once I heard some rough tracks back in February, but now others are starting to hear just how solid this album is. Huge thanks to Buck Thrailkill and J.B. Beverley at Rebel Roots Studio for capturing the sounds. Cannot thank Itunes folks enough for choosing to feature this album and for all the hard work and dedication that Husky Burnette puts into his live shows, crafting his tunes and most of all for being a humble individual. 

Crank it up folks and get your day started right! 

Order your copy of the album

Download the album from Itunes



Now that we have your attention to Husky's new track, Beat & Lowdown, do yourself a favor and dive into another song below called "That Liquor". 

The Blues are a religion and Brian "Husky" Burnette sho' 'nuff preaches it. You can feel the testimony as he blends Delta Blues, Rock n Roll and Electric Blues. His music is gritty, soulful, southern, low-down and dirty. Husky, who hails from Chattanooga, TN, followed in the family footsteps of rockabilly kings Johnny Burnette and Dorsey Burnette, writing, recording and touring with several national artists over the years. Two of which that stand out are lead guitar position for legendary singer/songwriter Roger Alan Wade and the supporting act on tour for Hank Williams III. He has shared the stage with many others such as Leon Russell, T-Model Ford, Kenny Brown, Guy Clark, Emmylou Harris, Shooter Jennings, Scott H. Biram, Col J.D. Wilkes (The Legendary Shack Shakers/The Dirt Daubers) and J.J. Grey and Mofro. 

Husky recently signed with Rusty Knuckles Music to release his next LP, “Tales From East End Blvd.” in August 2013. The new album was recorded and produced by J.B. Beverley and Buck Thrailkill at Rebel Roots Studio and features Shooter Jennings, Billy Don Burns and J.B. Beverley, among others.

Order your copy now on cd and digital

Have a sample of That Liquor



Husky Burnette - Tales From East End Blvd. - Album Cover
Husky Burnette for Mayor of Chattanooga, TN
Scene 2 at Aardvark Screenprint, which prints, all the Rusty Knuckles merch. Huge thanks to Greg Clayton!
Scene 4 at one of downtown Raleigh's great parks.
Scene 3 on top of a parking deck in downtown Raleigh. Kitty Barks working for a unique shot
Scene 7 - Raleigh Beach damn
Scene 7 - Raleigh Beach Dam

Your Guitar Is Not Really A Guitar - Captain Beefheart

Knowledge is power. The better you can grasp the concept of where artistry resides within yourself, the easier it may be to tap that energy resource. Have a read on what Captain Beefheart thinks when it comes to artful sounds of a guitar.

Link to original post about Captain Beefheart

Captain Beefheart
Ten Commandments of Captain Beefheart
"Captain Beefheart hired Moris Tepper to be his full-time guitarist in 1976, a position he held until the Captain’s retirement in 1982. Along the way he imparted these handy guitar tips:

1. Listen to the birds.
That’s where all the music comes from. Birds know everything about how it should sound and where that sound should come from. And watch hummingbirds. They fly really fast, but a lot of times they aren’t going anywhere.
2. Your guitar is not really a guitar.
Your guitar is a divining rod. Use it to find spirits in the other world and bring them over. A guitar is also a fishing rod. If you’re good, you’ll land a big one.
3. Practice in front of a bush.
Wait until the moon is out, then go outside, eat a multi-grained bread and play your guitar to a bush. If the bush doesn’t shake, eat another piece of bread.
4. Walk with the devil.
Old Delta blues players referred to guitar amplifiers as the “devil box.” And they were right. You have to be an equal opportunity employer in terms of who you’re bringing over from the other side. Electricity attracts devils and demons. Other instruments attract other spirits. An acoustic guitar attracts Casper. A mandolin attracts Wendy. But an electric guitar attracts Beelzebub.
5. If you’re guilty of thinking, you’re out.
If your brain is part of the process, you’re missing it. You should play like a drowning man, struggling to reach shore. If you can trap that feeling, then you have something that is fur bearing.
6. Never point your guitar at anyone.
Your instrument has more clout than lightning. Just hit a big chord then run outside to hear it. But make sure you are not standing in an open field.
7. Always carry a church key.
That’s your key-man clause. Like One String Sam. He’s one. He was a Detroit street musician who played in the fifties on a homemade instrument. His song “I Need a Hundred Dollars” is warm pie. Another key to the church is Hubert Sumlin, Howlin’ Wolf’s guitar player. He just stands there like the Statue of Liberty—making you want to look up her dress the whole time to see how he’s doing it.
8. Don’t wipe the sweat off your instrument.
You need that stink on there. Then you have to get that stink onto your music.
9. Keep your guitar in a dark place.
When you’re not playing your guitar, cover it and keep it in a dark place. If you don’t play your guitar for more than a day, be sure you put a saucer of water in with it.
10. You gotta have a hood for your engine.
Keep that hat on. A hat is a pressure cooker. If you have a roof on your house, the hot air can’t escape. Even a lima bean has to have a piece of wet paper around it to make it grow.

Let’s see whether Tepper absorbed the precepts, shall we? Here’s the Captain and the Magic Band playing “Hot Head” and “Ashtray Heart” on Saturday Night Live, November 22, 1980, hosted by Malcolm McDowall:"



(via Lists of Note)

Meet Nuclear Science Prodigy, Taylor Wilson

Genius is a spark or flash of creativity that is often attributed to a defining moment, wherein a creator does something that may seem magical. Is this flashpoint really something other worldly or is it just the rare moment when you are able to view an individual that is truly gifted in their field of choice? The answer ultimately is unimportant, but what matters most is to understand where genius resides and to witness the intellect where the ideas emanate. 

The video below showcases a young man who has learned nuclear science from the internet. Governments and political leaders continue to harp upon terrorists obtaining weapons of mass destruction, but what they fail to realize is that pure intellect can craft anything from scratch, as showcased by Taylor Wilson. He seeks no ill will to civilization, rather, he wants to create a reliable form of energy. 

Seeing is believing and I often feel the term "genius" is vastly overused once you understand the power of intellect of someone such as Taylor. Very much looking forward to the progress he will be creating within the realm of nuclear science to hopefully engineer a safer and cheaper form of energy for mass consumption.

Learn more about Taylor


Visit NBCNews.com for breaking news, world news, and news about the economy

Need Motorized Cinema, Head To New York City

1st Annual Motorcycle Film Festival in NYC
From Cyril Huze Blog

"The Motorcycle Film Festival is an idea whose time has come. We are in the midst of the biggest creative boom centered on motorcycles since the 1970s. Every motorcycle custom builder wants to hire a filmmaker to shoot his work and his rides. The massive, youthful rise of moto-mania has excited big motorcycle manufacturers to collaborate with rising garage artists, and has inspired professional filmmakers that now is the time to produce that long-dreamt two-wheel feature film.

The Motorcycle Film Festival was founded in 2013 by a group of NYC motorcyclists and independent filmmakers, to provide a home for motorcycle films from around the world, and give moto/film enthusiasts an event to gather, discuss, and celebrate their favorite subject. Film categories include Short and Feature Length Narratives, Documentaries, and Experimental Films. Interested filmmakers can submit work to Motorcycle Film Festival motorcyclefilmfestival.com, by Aug. 23rd. For further information, contact motorcyclefilmfestival@gmail.com"

What Path Do You Choose?

Upon seeing the daily insight from Bob Lefsetz it's always a fun read and here is why:

FOLLOWERS

Finish college.

LEADERS

Drop out.

FOLLOWERS

Obey the rules.

LEADERS

Question authority.

FOLLOWERS

Believe it's about accolades.

LEADERS

Believe it's about relationships.

FOLLOWERS

Need external validation.

LEADERS

Have self-confidence.

FOLLOWERS

Have a backup plan.

LEADERS

Have no safety net.

FOLLOWERS

Will not take no for an answer. Since they're playing the game, they believe the rules and the courts will save them.

LEADERS

Hit a roadblock and change direction. They only fight battles they know they can win.

FOLLOWERS

Work for the corporation.

LEADERS

Start the corporation.

FOLLOWERS

Go to graduate school to gain a profession.

LEADERS

Hire professionals.

FOLLOWERS

Look at how everybody else does it, conformity is king.

LEADERS

Do it their own way, but are aware of how everybody else is doing it.

FOLLOWERS

Believe in vacation.

LEADERS

Never take a day off.

FOLLOWERS

Are students of what's in front of them.

LEADERS

Are students of the game.

FOLLOWERS

Stop learning after school.

LEADERS

Never stop learning. Whether it be from books, news or colleagues.

FOLLOWERS

Argue about their paycheck.

LEADERS

Money is secondary, and they believe there's enough if they succeed.

FOLLOWERS

Are afraid to lose.

LEADERS

Are willing to lose, because they believe they're destined to win.

FOLLOWERS

Say no. Pessimism reigns.

LEADERS

Say yes. But are not afraid to say no. Optimism rules.

FOLLOWERS

Plan.

LEADERS

Make it up as they go.

FOLLOWERS

Take direction.

LEADERS

Make up the direction.

FOLLOWERS

Believe it's all about the CV, what you can list on LinkedIn.

LEADERS

Social network because they've got so many ideas their heads will explode if they don't release them. They know the people who started the social networks. They're more interested in what made social networks successful than playing within them. They know building a resume only counts if you're looking to get hired, and they've created every job they've had since high school.

FOLLOWERS

Are afraid and sometimes evidence desperation.

LEADERS

Are never afraid and never desperate. They see the world as their plaything, not something that can hold them back or down.

FOLLOWERS

Have no vision.

LEADERS

Can see the future in 3-D.

FOLLOWERS

Work in established industries.

LEADERS

Establish industries. The greats are not afraid of being ahead of the times, they know the times will come to them.

FOLLOWERS

Think about themselves.

LEADERS

Think about others. Sure, many are narcissistic, but their fortunes are based on filling the needs of the public, not their boss.

FOLLOWERS

Adjust their personalities to get along.

LEADERS

Get to be themselves.

FOLLOWERS

Play the politics.

LEADERS

Are above the politics.

FOLLOWERS

Work in the world.

LEADERS

Run the world.

Subscribe to Bob Lefsetz blog

Tuesday, September 3, 2013

Muddy Roots Is A New Religion

After my brain has started to clear up from all the dust, conversations, cold beer, moonshine and remembrance of another great Muddy Roots, all I can do is smile with a shit eating grin. I personally haven't attended, worked or been a part of any other festival on the level of what Jason Galaz has created with Muddy Roots. 

Each year the festival grows with a creative exuberance that feels as contagious as a sing along at a Dropkick Murphy's show. No matter where you walk around the festival grounds, folks are saying hello and quick to offer a beer or maybe a chat about what bands are coming up. Is this a strange sort of utopia? It can feel that way at certain moments and makes me realize how much more effort we want to put in to help support such a great music festival. 

The convergence of amazing music, festive atmosphere and some of the greatest folks you would ever want to hang with, is the very reason why we signed on to build a huge lounge for Muddy Roots 2014. The sum is greater than all the parts and we as an independent music label want to contribute and help grow such a killer event.

I have so many folks to thank for their hard work on this event and it would not be possible for us without the tight inner circle within Rusty Knuckles Music. Keeping this pirate ship afloat is no easy task and our dedicated crew is always on board to help set sail and more importantly, dive in when work needs to get done. Massive thanks for all the early preparations and help in setting up and maintaining our "lounge" this year to Mrs Knuckles, Buck and Susan Thrailkill, JB Beverley, Nate, Kitty Barks, Husky and Kari Burnette, Justin, Adam, Billy, Rascal and Randy of Carolina Still, The Aussie Posse, Lauren, all of Fifth On the Floor and road crew, Billy Don Burns, Hellbound Glory, Rash, Gypsy Jody, Jeff Leigh, Mike Fiedler, Pizza Dave, Stoney, Phil, Kate, Owen Mays and anyone else that picked up trash after the huge pre-party jam and throughout the weekend, contributed a few bucks for food or booze and overall helped to keep a great camp site maintained. This was not easy and many folks put a lot of money into making this a success

If you think we did something good this year for Muddy Roots, be prepared for 2014 as we already bought our "acreage" for next year. We have a massive space to work with and in our way of thinking, now we have a mission. Go big or go home!

Also, below are a bunch of photos found on facebook from posts. I would have enjoyed taking all of our photos to represent the festival, but unfortunately in the crunch of time to get out of town, the one item needed most that was forgotten, being my camera gear. After much use of great four letter words and being pissed off for many miles, I just had to create lemonade. Thanks to everyone who took great shots as we are damn stoked to repost them. If you want photo credit, just email me via facebook and I would be happy to oblige.

Thanks again to everyone at Muddy Roots, all the folks who show up and most of all to everyone that works their asses off to make such a great event happen. Stoked to have gotten to see sets from all the bands we work with such as Carolina Still, Hellbound Glory, Husky Burnette, JB Beverley, Billy Don Burns and to also check out God Damn Gallows, Peewee Moore, Black Flag, Left Lane Cruisers, Possessed By Paul James, Shooter Jennings, Psycho DeVilles, Hellfire Revival, Dale Watson, Whitey Morgan, Ray Lawrence Jr., Ten Foot Polecats, Sarah Gayle Meech, White Trash Blues Revival and many more. Wish we could have seen every band for full sets, but our booth / lounge was a beehive of activity. SEE YA NEXT YEAR!!!!!!



Black Flag. YES, thee Black Flag on the main stage
JB Beverley and Billy Don Burns - photo by Mike Fiedler
JB, Pizza Dave in an ill fitting women's tee and Chad
A nice picture until the Aussie Posse decides to do a photo bomb! Stacks On!
Carolina Still getting ready to roll on the main stage
JB Beverley had the entire stage flanked with the Rusty Knuckles country roster for his rendition of Maggie's Farm
Never one to let a birthday slip by, Nate became a force of nature and gave us the best drunken photo in years
Billy Don Burns on stage during Shooter Jennings set
JB Beverley, Leroy Virgil and Buck Thrailkill
Buck Thrailkill on stage with Shooter Jennings on the closing night
The pool was a blessing and a curse
Husky Burnette jamming in front of the lounge
Leroy Virgil of Hellbound Glory and one huge sing along
The Aussie Posse does their "Stacks On"
JB Beverley on stage with Shooter Jennings
Shooter Jennings, Billy Don Burns and Lauren
Husky Burnette on stage with Shooter Jennings
Maggies Farm never sounded so good until that huge jam session


When the time comes, Rusty Knuckles Music shows up in solidarity and flanks an entire stage
Stoney and Pizza Dave proving once again why we love Ohioans
Zeke of Hellbound Glory, joining Fifth On the Floor, Buck Thrailkill and Kara Clark